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Ideas, tips, and tools for the middle and high school English Language Arts teacher

TPT Teacher Appreciation Jackpot!

Yes, you’ve HIT the JACKPOT!  Next week is Teacher Appreciation Week, and Sunday, May 6th is sure to be your lucky day! I’m excited to announce the very first Teacher Appreciation Jackpot, an amazing “blog hop” event involving over 150 bloggers!

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Annotated Common Core Standards for ELA Grade 3

Our last in this series, I have now written the Annotated Common Core Standards for English Language Arts – Grade 3!  This is a FREE download on TeachersPayTeachers, so please take a moment to rate and leave feedback…it is truly appreciated!

If you’re feeling confused or overwhelmed by the Common Core Standards for English Language Arts, you’re not alone. I have taken some time to annotate (explain, simplify, break down) the Common Core standards for English Language Arts Grade 3. These documents are designed to you feel, well…not so overwhelmed, or lost, or alone! Some of the standards were already pretty self-explanatory so I left those alone, but wherever you see the arrow is where I have tried to explain or articulate the expectation(s) of the standard. If you find something particularly confusing, please message me and I will be happy to explain or articulate better, or add an explanation where there was none. Hope it helps…please be sure to leave feedback–I would love to hear your thoughts!

For other grades, click the links below:

Annotated Common Core Standards for English Language Arts – Grade 4
Annotated Common Core Standards for English Language Arts – Grade 5
Annotated Common Core Standards for English Language Arts – Grade 6
Annotated Common Core Standards for English Language Arts – Grade 7
Annotated Common Core Standards for English Language Arts – Grade 8
Annotated Common Core Standards for English Language Arts – Grades 9-10
 Annotated Common Core Standards for English Language Arts – Grades 11-12

Note: This project is in no way affiliated with the Common Core Initiative. The Common Core Initiative was not involved in the production of, and does not endorse, these guidelines.
 
 

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Happy Birthday, Will (Shakespeare, that is)!

In honor of my absolute favorite author’s birthday, I am offering two fabulous items for FREE TODAY ONLY! Download our Macbeth Literary Analysis Activity Pack (regularly $4.99) and our Romeo and Juliet Post-Reading Activities, Essay and Writing Prompts (regularly $3.99) ABSOLUTELY FREE!  Hurry!  These items will go back to regular price at 8:00pm PST on April 23, 2012!!  Please don’t forget to LEAVE A RATING and FEEDBACK!  It is truly appreciated.

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Annotated Common Core ELA Standards – Grade 4

Due to popular demand, I have now written the Annotated Common Core Standards for English Language Arts – Grade 4!  This is a FREE download on TeachersPayTeachers, so please take a moment to rate and leave feedback…it is truly appreciated!

If you’re feeling confused or overwhelmed by the Common Core Standards for English Language Arts, you’re not alone. I have taken some time to annotate (explain, simplify, break down) the Common Core standards for English Language Arts Grade 4. These documents are designed to you feel, well…not so overwhelmed, or lost, or alone! Some of the standards were already pretty self-explanatory so I left those alone, but wherever you see the arrow is where I have tried to explain or articulate the expectation(s) of the standard. If you find something particularly confusing, please message me and I will be happy to explain or articulate better, or add an explanation where there was none. Hope it helps…please be sure to leave feedback–I would love to hear your thoughts!

For other grades, click the links below:

Annotated Common Core Standards for English Language Arts – Grade 5
Annotated Common Core Standards for English Language Arts – Grade 6
Annotated Common Core Standards for English Language Arts – Grade 7
Annotated Common Core Standards for English Language Arts – Grade 8
Annotated Common Core Standards for English Language Arts – Grades 9-10
 Annotated Common Core Standards for English Language Arts – Grades 11-12

Note: This project is in no way affiliated with the Common Core Initiative. The Common Core Initiative was not involved in the production of, and does not endorse, these guidelines.
 
 

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“Attacking the Common Core Standards” – Informational Texts – Part Four: Determining the Central Idea; Providing an Objective Summary

In Part Four of this series, we are going to take a look at determining a central idea and providing an objective summary of Informational Texts.

The Standards:

  • RI.6.2. Determine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.
  • RI.7.2. Determine two or more central ideas in a text and analyze their development over the course of the text; provide an objective summary of the text.
  • RI.8.2. Determine a central idea of a text and analyze its development over the course of the text, including its relationship to supporting ideas; provide an objective summary of the text.
  • RI.9-10.2. Determine a central idea of a text and analyze its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.
  • RI.11-12.2. Determine two or more central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to provide a complex analysis; provide an objective summary of the text.

So what do these standards mean? In essence:

  • Students should demonstrate the ability to articulate the central ideas or main idea –including the purpose, expected outcome or reason for a nonfiction text, providing specifics from the text to support the response. 
  • Students should be able to write a summary of the text that is free of bias and personal opinions.

Determining a Central Idea

The central idea can also be called the main idea.  It is the chief, key, most important, most vital, most basic reason for reading the text.

  1. Take a look at the text features (headings, sub-headings, italic and bold-type words, pictures, diagrams, labels, captions, etc).  What hints do they give about the central idea?
  2. Determine the purpose of the text (entertain, persuade, inform, show cause/effect, compare/contrast, express an opinion, etc.).
  3. Take a look at the organization (structure) of the text.  Is it written in chronological order (time), order of importance, or by description?
  4. What are the three most important points being made in the text? Often the main ideas are given in the first or the last sentence of the text.
  5. What is the CENTRAL idea of the text? (Write your three main points into one complete, succinct sentence)

To check your answer, you should be able to choose sentences that support the main idea and give details that back-up your choice.

Providing an Objective Summary

Once you have determined the central idea of a text, it is important that students are able to find the supporting details and create a succinct and accurate summary of the text.

There are two key parts to addressing this standard: 1) writing a summary of a text, and 2) making it objective or unbiased.

What is a summary?

  • A shortened form of a text – in your own words.
  • A statement of the main idea of the text with a few supporting details to support the main idea.

What is bias?

It is important that students know that bias is based on OPINION.  In the case of a summary, we are not allowed to insert our own opinion…we must only include FACTS found in the text.  By including facts only—that we can provide proof for from a text, we are able to say that our summary is objective and unbiased. In other words, opinions such as “This is a great book” or “The author doesn’t like Jim” or “The snake is a disgusting creature” would NOT be found in a summary.

To help write an objective summary of a text, students must:

  1. Determine the central idea of the text (see above).
  2. Be able to extract sentences that support this main idea directly from the text. (The summary should be written in the students’ own words, however.)
  3. Use these sentences to put together a summary of the text that is clear, concise, and brief.
  4. Write a summary that reflects the structure of the original text.  For example, if the text is in chronological order, the summary should be as well.
  5. Leave out minor details found in the text.

Once students have completed their summary, have them go back and answer these questions:

  1. Have I ONLY included the most important or major details in my summary?
  2. Is my summary written in my own words?
  3. Does my summary include ONLY facts based upon the article?
  4. Does my summary follow the structure of the original text?
  5. Have I written my summary in only one paragraph?
  6. Would someone who has never read the complete text clearly understand what it was about from ONLY reading my summary?

If your students can answer YES to all of these, they should be well on their way to mastering the skill of summarizing.

For a helpful handout to help students master central idea and summarizing, check out my new FREEBIE… Determining Central Idea and Writing Summaries for Informational Texts

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Must have 3+ years in the classroom teaching English Language Arts, grades 2-12.  We are looking for authors to create original, standards-based Literature Guides for popular books in grades 3-12.  If you would like further information, please complete the application!  You need not be familiar with our company or products to apply.

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20 Fun Poem Types You’ve Never Heard Of

To celebrate National Poetry Month (in April), I thought I would share some fun poetry ideas to get those creative juices flowing, along with a FREEBIE handouts Glossary of Poetic Terms and 8 Types of Poetry.  Last year at this time, I posted Thirty Poetry Project Ideas for National Poetry Month, so this year, I thought I would introduce some poetry ideas you may never have tried – or even heard of!

*NOTE:  Some of these are on the “challenging” side and have been so indicated with an asterisk. Have fun!

  1. Canzone*: a Canzone is a Medieval Italian lyric style poetry similar to a sonnet, with five or six stanzas and a shorter ending stanza. While the typical sonnet is 14 lines, a canzone can range from 7 to 20 lines.  Poetry Through The Ages at WebExhibits.com has done a great job of breaking down writing a canzone.
  2. Clerihew: a clerihew is a humorous poem about a person, usually well-known.  This could be a great way to have students write about a character in a novel or a famous person they are studying. The poem consists of two rhymed couplets.
  3. Dodoitsu: a type of Japanese song, often about love.  It consists of four unrhymed lines with 7,7,7,5 syllables.
  4. Etheree*: a ten-line poem of 1,2,3,4,5,6,7,8,9,10 syllables or backward, with 10 through 1 syllable. Challenging and fun!
  5. Ghazal: originating from ancient Persia, a ghazal is essentially a set of two-line poems having to do with lost or unattainable love.  The rhyme scheme is AA, BA, CA, DA, EA, and so on.
  6. Katuata: a stand-alone, three-line poem of Japanese descent. The poem is 19 syllables or fewer, usually in 5, 7, 7 syllable lines.
  7. Kyrielle: a type of French poetry with rhyming couplets, usually written in quatrains in iambic tetrameter.  For an explanation and example, check out Writing.com‘s lesson in the Kyrielle.
  8. Lanturne: a five-line Japanese poem consisting of 1,2,3,4 and 1 syllable.  When written, the poem is supposed to look like a lantern!  Cute and fun!
  9. Naani: an Indian four-line poem with a total of 20-25 syllables
  10. Nonet: the term “nonet” refers to a group of nine.  A nonet poem consists of nine lines, beginning with nine syllables, then eight, then seven, and so on.
  11. Quinzaine: a three-line poem: the first line makes a statement and the next two lines ask a question relating to the statement.  The first line is 7 syllables, the second is 5, and the third is 3 syllables.
  12. Rispetto: from the Italian word “respect,” usually respect for a loved one. A rispetto is a Tuscan verse poem consisting of eight 11-syllable lines, usually following the rhyme scheme abab, ccdd.
  13. Rondeau*: think “Row, Row, Row Your Boat” in rounds. A rondau (round) is a French form of poetry of 15 lines of eight or ten syllables arranged in three stanzas — the first stanza is five lines (quintet), the second four lines (quatrain), and the final stanza six lines (sestet).
  14. Rondelet*: also a French form, the challenging rondelet consists of one stanza with seven lines, the rhyme scheme consisting of A, b, A, b, b, b, A
  15. Sedoka: an unrhymed poem of two 3-line katuatas (see above) with the syllable count 5, 7, 7, – 5, 7, 7.
  16. Senryu: a senryu is also a Japanese form of poem, similar to a haiku, with 5, 7, 5 syllables.
  17. Tetracys*: The Tetractys is a poetic form consisting of at least 5 lines of 1, 2, 3, 4, 10 syllables (total of 20).  Tetractys can also be reversed and written 10, 4, 3, 2, 1.
  18. Than-Bauk: While this ancient form may sound complicated, it is actually very easy once you understand the format!  The Than Bauk (also Thanbauk) is an old Burmese form that consists of at least three lines of only four syllables per line. Explained well here.
  19. Triolet*: the triolet is an eight-line poem with a strict rhyme and pattern of repetition. The form follows ABaAabAB.
  20. Tyburn: a 6 line poem;  the first four lines must consist of 2 syllable words and the last two lines must consist of 9 syllables: 2,2,2,2,9,9 syllables.

Have fun with these; I am sure your students will enjoy them! I hope you’ll try some of these in your classes!  If you do, please be sure to share your stories.  If you have other favorites we’ve probably never heard of, please share.

Thanks for stopping by, and don’t forget to download (and rate, please!) the FREEBIE Glossary of Poetic Terms and 8 Types of Poems.

 

 

 

 

 

Review of Iris and the Fireflies by Rosemary Danielis

As many of you know, our Guides are based on middle and high school novels, so I am always looking for the next best young adult novel to review and share with you!  I recently jumped on the amazing opportunity to review Iris and the Dragonflies, a reality-based fantasy about a precocious and adventurous 11-year-old loner who has a special gifts of being able to hear dragonflies speak and feel “energies” of the past.

The Amazon.com book description follows:

Iris, a feisty, solitary, eleven-year-old girl prefers being down by the creek near her house more than anywhere else in the world. School is nothing but a joyless prison and uninterested in her classmates she spends each day gazing out the window, waiting for the dismissal bell to ring. Her only friends are the dragonflies who flit through the shoulder high bulrushes growing along the creek’s banks. Iris discovers the dragonflies are more than they appear to be and that she is the key to resolving an age-old battle between light and dark, good and evil. She has the ability to unleash the power of the Earth to restore the balance that has been lost. This however is not what the Solaris have in mind. They are the world’s most powerful Evil and Iris is the only one who can stop them! Will Iris and her friends be able to win this battle? Iris and the Dragonflies is empowering, and a must read for all girls. 
 

The themes of friendship, courage and determination, acceptance and belonging, and understanding of self and others will certainly support most curriculum, while the fantastic and mythological nature, the mystery and suspense of the tale, and the journey of “saving the earth” will intrigue and entertain most pre-teens and teens.

The story is well-written, and contains many of the desirable elements of a good book.  There is beautiful imagery and use of figurative language, a strong plot with certain suspense and clear conflict, and well-drawn, believable characters. While I do not feel as if this book is appropriate for a whole-class novel study, there are elements that would make this book a favorite for the ten to thirteen-year-old crowd.  It has the adventure that boys crave, with a feisty young heroine that girls will both identify with—and admire.  While the Irish dialect may be a little tricky to decipher on occasion and the mythological elements and Irish legend may be a little confusing to some young readers, it is the true adventure story –and the classic battle between good and evil—that will keep your students reading.

At the end of the book we are deliberately left with questions, as a sequel is in the works.  This is especially exciting because I really believe that once you get a child “hooked” with the first in a sequel, they usually clamor for the rest of the series!

Overall, a very cute read, and one that many students will enjoy!

If you are interested in learning more about Iris and the Fireflies, visit http://www.irisandthedragonflies.com/Iris_and_the_Dragonflies/Iris.  You can also LIKE Iris and the Fireflies at the Facebook Fan Page: http://www.facebook.com/iris.and.the.dragonflies

Iris and the Dragonflies is available in Paperback or in Kindle format (just $.99!) on Amazon.com.

Thanks for stopping by!

 

I received one or more of the products mentioned above for free using Tomoson.com. Regardless, I only recommend products or services I use personally and believe will be good for my readers.

“Attacking the Common Core Standards” Informational Texts – Part Three: Using textual evidence to support inferences within a Non-Fiction Text

In Parts One and Two of this series, we talked about using biographies and historical context to dig into the depths of the Informational Text standards—while avoiding abandoning fictional texts. This article will begin to break down the Informational Texts Standards into practical and accessible “chunks,” giving tips on approaching the standard using Informational Texts.

First, let’s look at the first Informational Text standard for grades 6-12:
• RI.6.1. Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
• RI.7.1. Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
• RI.8.1. Cite the textual evidence that most strongly supports an analysis of what the text says explicitly as well as inferences drawn from the text.
• RL.9-10.1. Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
• RI.11-12.1. Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain.

So, what do these all have in common? Let’s break it down.
To varying degrees:
• Students should demonstrate the ability to read a nonfiction passage or text, understand and articulate what the text directly as well as indirectly states in order to make an assumption about or respond to prompts from the text.
• Students should be able to identify, extract, and cite text to thoroughly support the student’s response.
• Students should demonstrate the ability to identify a passage or text that leaves unanswered questions, to determine possible reasons for the ambiguity, and to articulate the implications from the uncertainties. (Grades 11-12 only)

In plain English: Students must be able to read a non-fictional text, identifying and citing direct and indirect statements to demonstrate an understanding of the information found within the text.

The concept of inference is one of the most difficult to teach, however even as low as grade 4, the concept must be addressed in some form or another, usually by reading a fictional text and being able to make an assumption or guess based on the evidence or facts from the text combined with their own prior knowledge. However, as we can see in these standards, students must be able to make inferences from an Informational Text as well as a fictional text.

Infer – verb; to conclude by using logic

Forms of the verb include: infer, inferring, inferred

Inference – noun; the process of drawing conclusions based on logic

Both definitions include the words logic, and variations of the words conclude. To conclude is to form an opinion or reach a decision about something. Logic is sensible, rational thought or argument based on facts rather than emotion. In other words, to infer is to form an opinion based on facts.

There are several ways of teaching inference. At the very basic level, students must be able to discern between fact and opinion. I will assume that students are able to understand fact versus opinion by the fourth grade, but if not, start there.
Beyond that, students must be able to make observations. Observations are clues—things that the student sees—either literally (as in a picture) or figuratively (as in a paragraph or story). Observations are factual and can be proven. From observations, students must then use the knowledge they have been given and/or their own personal knowledge to make an inference. Inferences are personal and contain opinion.

When approaching an Informational Text (non-fiction), it can be a common mistake for students to automatically assume that everything they are reading is truthful and factual. After all, it is an informational text, and the author is assumed to be more knowledgeable about a subject than the reader. Students must be warned that not everything one reads that sounds legitimate and logical, actually is. Take articles on the Internet for example. Anyone who has a computer can write what appears to be a scholarly article, post it on the Internet, and call themselves an expert. However, few are actually experts, and the “information” they are providing can contain fallacies, bias, and inaccuracies. Students need to realize that not only do they need to comprehend what the text tells them directly. Take a look at this passage, taken from a Wikipedia article on the Jim Crow Laws:

Some examples of Jim Crow laws are the segregation of public schools, public places, and public transportation, and the segregation of restrooms, restaurants, and drinking fountains for whites and blacks. The U.S. military was also segregated. These Jim Crow Laws were separate from the 1800–1866 Black Codes, which had previously restricted the civil rights and civil liberties of African Americans. State-sponsored school segregation was declared unconstitutional by the Supreme Court of the United States in 1954 in Brown v. Board of Education. Generally, the remaining Jim Crow laws were overruled by the Civil Rights Act of 1964[1] and the Voting Rights Act of 1965.
Not only must students support what the text says explicitly (directly): The final Jim Crow Laws were overturned in 1965, but they can also infer what the text alludes to, or states indirectly, i.e. African-Americans were legally discriminated against and held to a lower social status in the United States until 1965.

Students should be able to answer questions about the text using both these explicit as well as implicit statements, providing support for their answers. Here are two examples using general questions one might find attached to an Informational Text document or passage:

  • Question #1: Would this document (passage) be considered persuasive, narrative, descriptive, or expository? Give reasons for your choice.
    • Sample Student Answer: This passage would be considered expository, as it is using factual evidence, including dates and citations to support the document. For example, the passage states that the final Jim Crow laws were overturned in 1965.
  • Question #2: How does the author feel towards the subject of the document? What loaded or biased language do you notice, if any?
    • Sample Student Answer: There is no bias or loaded language evident in this passage. The author simply states facts, and it is up to the reader to make inferences based on those facts. For example, one can assume that African-Americans were legally discriminated against and held to a lower social status in the United States until 1965.

The more students read about or study a subject, the more comfortable they begin to feel making assumptions or inferences about the subject. This takes time and practice, which is why introducing a variety of Informational Texts when teaching a piece of literature is so valuable. The more students learn about the historical and aesthetic background of a text, the more they can appreciate the meaning and significance of the literature itself. (See Informational Texts: Part One and Part Two)

For more help with teaching Inference and Observation, see my FREE handout and activity on TPT.

1000 Facebook Follower Giveaway and Contest!

We’ve just reached 1000 fabulous followers on our Facebook page, and couldn’t be more excited to share the celebration with you! First, we have a ton of fabulous FREEBIES for all of you to download, donated by some amazing teachers to help in the celebration!

In addition to the amazing freebies for everyone, we’ve decided to give away THREE fabulous prizes – ONE $25 TeachersPayTeachers.com Gift Certificate OR ONE of our The Hunger Games Literature Guide OR ONE Essay Apprentice Writing System (Winner’s choice of ONE PRIZE– Guides are both in PDF/E-Guide format)! To enter our 1000 Facebook follower celebration Contest for either our The Hunger Games Literature Guide (Over 300 Common Core Standards-Based pages! A $25 value) or our Essay Apprentice Writing System (Grades 5 and up; a $40 value) or a $25 Gift Certificate for TeachersPayTeachers.com to purchase anything you wish, simply complete the following form. The THREE winners will be chosen by a random generator, and will be announced on Sunday, March 18th!*

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“Attacking the Common Core Standards” Informational Texts – Part Two: Historical Context

In this, the second article in our series on “Attacking the Common Core Standards,” we’re taking a look at Informational Texts Standards – Part Two in our Informational Texts standards focus.

In our first article “Attacking the Common Core Standards” Informational Texts – Part One, we looked at the idea of reading and analyzing simple biographies as one way to approach Informational Texts.  In this article, we will be looking at the historical background and context of a novel, play, or poem as an approach to the Informational Text Standards for ELA.

Suppose you are teaching a novel rich in historical context, such as Mildred D. Taylor’s Roll of Thunder, Hear My Cry. Clearly, it would be obvious to look at the era in which the story takes place – during the Great Depression.  Having students read an article or complete research on the Great Depression would give students a clear background of the struggles of the era, helping them to comprehend the book on a deeper level.

But what about exploring even further?  Remember, we want to dig into those Informational Texts that not only help students understand the world around them better, but also help them understand the literature better.  Every single thing you do to help students further understand the depth and complexities of the novel, play, or poem they are reading—the better—not just aiding students’ comprehension of the literature, but also reinforcing those Informational Text standards.  So, what about having students read informational texts (including first-person accounts or memoirs, news articles, magazine articles, encyclopedia and Internet articles, etc.) that are related to the historical context of the literature you are studying?  Let’s take a look again at Roll of Thunder, Hear My Cry.

Some other options for exploring Informational Texts within the historical context are researching and reading about such “social studies” subjects as Sharecroppers; the South during the Great Depression; the history of Mississippi; lynch mobs, nightmen, and hangings; the KKK; segregation and Brown vs. the Board of Education; and Jim Crow laws.  Want to get into scientific articles?  Have students research/read “Some racial peculiarities of the Negro brain,” published in 1906 in the American Journal of Anatomy by Robert Bennett Bean, or conduct research on how the weather of the Dust Bowl affected agriculture, or scientific advancements or inventions from 1920-1930.

So what do you do with a required novel that isn’t so obviously rich with historical context?  Fear not.  Let’s look at Katherine Paterson’s Bridge to Terabithia.  While you may have to do a little digging to find out some way to address the historical context, it is still there.  First, students can do a little research on the inspiration for the book—a true event in which Paterson’s son’s friend was struck and killed by lightning in 1974. Students can research C.S. Lewis and The Chronicles of Narnia, which Leslie lends to Jess in the book.  Have students research and read about the National Gallery of Art in Washington D.C., or have students explore the reasons Bridge to Terabithia was #8 on the American Library Association’s List of the most banned and challenged books of 1990-2000.  Students can also look at when the novel was written (1977) to research the trends, news, and important people of the time.  Finally, students can conduct an analysis (compare/contrast) between the novel and the movie (Disney, 2007), also touching on an Informational Text standard (RI 6.7, RI 7.7, RI 8.7).

Some “scientific” approaches to Bridge to Terabithia could be research on the effects of depression, the Kübler-Ross Five Stages of Grief, or how lightning works.

As I mentioned in the article on Informational Texts – Part One on biographies, simply reading an article or passage is not enough to help students grasp 1) the differences between non-fiction and fiction, and 2) the nuances that help students read and understand a non-fictional text.

Here are some general questions that can be used with most non-fictional texts to help students dig deeper into the article/document to master those Informational Text standards:

  • What features do you notice on the page?  (Title, headings, sub-headings, keywords, illustrations, charts, graphics, pictures, etc.)
  • What do you see in the pictures/illustrations? What can you infer about the picture(s)?  What do these picture(s) tell you about the article you are reading?
  • What is the author’s purpose of this document?  How do you know?
  • What is the main idea of this document? Provide details to support your response.
  • Would this document be considered persuasive, narrative, descriptive, or expository?  Give reasons for your choice.
  • How does the author feel towards the subject of the document? What loaded or biased language do you notice, if any?
  • If there is loaded or biased language, what do you think is the author’s reason for this? If you cannot find any loaded or biased language, why do you think that is?  
  • Document any interesting, unknown, or specialized vocabulary from the document.  Look up these words and define them in your own words within the context of the article.
  • What effect does the use of these words have on your understanding of the information in this text?
  • How are the details of this text arranged? (Cause/effect, chronological, compare/contrast, order of importance)  What key words support your choice?
  • Write an objective summary of the text, noting the most important points or milestones in your summary.  Be sure to include dates if appropriate.
  • What questions do you want answered after reading this text?  What methods might you use to find the answers to those questions?

There is no need for students to be inundated with article after worksheet of random non-fictional “reading comprehension” articles and texts on turtles, the Aleut people of Alaska, or fossils found in New Guinea, from some workbook or collection just to say that you “covered” Informational Texts.  By far, the more you can use these literature-related non-fictional texts to supplement your teaching of fiction, the more meaningful and effective your teaching—fostering student engagement, motivation, and comprehension.

Please check back for more on “Attacking the Common Core Standards” with Informational Texts – Part Three: Using textual evidence to support inference in Non-Fiction Texts

Do you have any other suggestions for using Historical Context or any favorite types of Informational Texts in your classes?  Please share!

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Attacking the Common Core Standards: Informational Texts-Part One

The Common Core State Standards are quickly becoming a reality for the vast majority of the country.  Many teachers in the U.S. are being faced with the task of aligning teaching materials to the Common Core Standards beginning in the 2012-2013 school year, and while many teachers are just trying to make it through the end of this school year in one piece, most are beginning to feel the pressure to find and/or create practical, usable, and appropriate materials that meet the rigors of these new standards.

This article is the first in a series about how teachers can address the Common Core Standards and to align their materials to the rigors they are being faced with through the implementation of the Common Core Standards for English Language Arts.  In this series, I will explore several options for addressing the Common Core Standards to help English Language Arts teachers like you to learn to seamlessly align your teaching materials to the Common Core.

Starting With Informational Texts
As I travel the country at teacher conferences, ELA teachers continually express their concern and stress over the thought of providing access to and teaching Informational Texts within the Common Core Standards.  Many teachers are under the assumption that in order to “make way” for these Informational Texts, it is at the sacrifice of fiction—novels, plays, and poetry.  Understandably, English teachers are appalled at the thought of forsaking fiction for a seemingly “unbalanced” emphasis on non-fiction.  By nature, we love our literature—especially a great novel!

It is imperative that ELA teachers realize that it is NOT the English Language Arts teachers’ sole responsibility to address this aspect of the Common Core Standards.  According to the Common Core State Standards Initiative’s Myths versus Facts section:

Myth: English teachers will be asked to teach science and social studies reading materials.
Fact: With the Common Core ELA Standards, English teachers will still teach their students literature as well as literary non‐fiction. However, because college and career readiness overwhelmingly focuses on complex texts outside of literature, these standards also ensure students are being prepared to read, write, and research across the curriculum, including in history and science. These goals can be achieved by ensuring that teachers in other disciplines are also focusing on reading and writing to build knowledge within their subject areas.
 
Myth: The Standards don’t have enough emphasis on fiction/literature.
Fact: The Standards require certain critical content for all students, including: classic myths and stories from around the world, America’s Founding Documents, foundational American literature, and Shakespeare. Appropriately, the remaining crucial decisions about what content should be taught are left to state and local determination. In addition to content coverage, the Standards require that students systematically acquire knowledge in literature and other disciplines through reading, writing, speaking, and listening.

 

In other words, it is not necessarily up to ONLY the ELA teacher to take on the rigorous task of providing and studying Informational Texts alone.  Savvy and educated Principals and Department Heads should be aware that it is not only up to the ELA teacher to fulfill this task of providing and teaching informational texts.  In fact, it is up to Social Studies/History, Science, and even Math teachers to provide and teach non-fictional literature according to each subject area.  Similarly, all disciplines should be responsible for helping to improve literacy for all students.

Now that some of the pressure and fears may have been assuaged as you realize you should NOT be on your own teaching non-fictional “Informational” texts, let’s look at some of the ways you can address this strand, and still keep the novels, plays, and poetry.  You CAN have your cake, and eat it too.

One very simply, straightforward way (and we will focus on other ways in subsequent articles) to address the Informational Text aspect is to have students study biographies.  If you are going to be reading To Kill a Mockingbird, why not read a biography on Harper Lee?  If you are studying The Crucible, then you should have students learn about Arthur Miller.  But this is just the tip of the iceberg as far as biographies are concerned.  To use our example of To Kill a Mockingbird, why not have students do research on/read a biography of Homer Plessy (Plessy v. Ferguson), Truman Capote (Lee’s neighbor upon whom the character Dill was based), or Emmett Till (killed at age 14 for allegedly flirting with a white woman).  Even if the literature does not have a historical aspect, biographies can still be an option.  For example, in the novel When You Reach Me by Rebecca Stead, the author mentions Dick Clark.  The protagonist, Miranda, reads A Wrinkle in Time, which provides the opportunity for students to read a biography on A Wrinkle in Time’s author Madeleine L’Engle.

But simply reading the biographies may not be enough to fully address the standards of Informational Texts.  Students should also be prompted to answer questions or complete an activity to analyze the intent and purpose of the biography.  Some generic questions that can help you address these standards are:

  • What is the purpose of this text?  How do you know?
  • What loaded or biased language do you notice?  
  • If there is a good amount of loaded or biased language, what do you think is the author’s purpose? If you cannot find any loaded or biased language, why do you think that is?  
  • How is the information in this article arranged (cause/effect, chronological, order of importance, compare/contrast, etc.)?
  • What details/support can you find that indicates how this person’s upbringing and education has ultimately affected his later life?
  • Briefly summarize the important milestones in this person’s life, including dates.
  • Write an original one-sentence thesis based on the information in this article.
  • Write a list of 10 unknown, technical, or subject-specific words from the article; define each.
  • How does the use of these words affect your reading of the article?

While biographies are a simple way to keep students interested in a novel while still addressing the strand of Informational Text, they are effective, and can be a brief exercise that when added to your curriculum not only help to provide support for a novel, but can reassure you that you are taking steps to integrate those non-fictional standards.  Additionally, by providing another medium (i.e. a video) on the person of interest and having students analyze the text in comparison to the video, you also address an additional aspect of these standards.

If you like the idea of integrating biographies into your curriculum, I have put together a collection of Ten Author Biographies – Popular High School Authors for $7.99, available on TPT.  I also have a smaller, FREE version simply called Author Biographies.

Keep checking back for more ways to integrate Informational Texts in your curriculum and lesson creation!

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