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Ideas, tips, and tools for the middle and high school English Language Arts teacher

Discovering Author’s Purpose and Writing with Purpose

It is important for students to understand an author’s purpose, but to also be able to write for a specific purpose–to inform, to persuade, or to entertain.  The following article helps students learn the differences between the purposes of writing (to inform, to entertain, to persuade) to be able to determine an author’s purpose, and to identify methods to fulfill a specific purpose in their own writing.

Purpose is the reason behind what you do.  When you work hard to get all your homework done and turned in on time, the purpose is to get a good grade in the class.  When you clean your room without asking, your purpose might be so that your mom will let you go out that night.

Writing has a purpose as well.  When an author writes something, there is a purpose behind what he or she writes.  The words he or she chooses, the arrangement of those words, and what he or she writes about, all has a purpose.  Purpose can usually be categorized into one of three categories: to entertain, to inform, and to persuade.  Sometimes authors have more than one reason for writing; and often, the purpose must be inferred from the text.

As the author of an essay, you will also have to write with a specific purpose in mind.  Not only must you be able to identify another author’s purpose for writing, you must also have a reason for your own writing. It is important to recognize that the specific words you choose and the way you choose to arrange those words on the page will have a significant impact on the purpose of the text.   Before you write, you will need to determine what you want your reader to do or feel after reading, if anything.  You must then choose the appropriate words and arrange those words in such a way to illicit a response from your reader. Read the passages below.

Tired of getting out of bed in the morning?  Pressing snooze way too many times?  Are you feeling groggy, sluggish, and irritable?  Then you need Vitajuice!  Vitajuice has 1000 times more vitamins and minerals that you will ever need in a day.  Just drink one Vitajuice in the morning, and you will be bright-eyed, yawn-free, and juiced-up all day!
 
Vitajuice, produced and distributed by the SL Martin Pharmaceutical company, has come under fire recently, as the Federal Drug Administration has challenged its claims on providing energy and nutrition.  Vitajuice spokesperson Marta Rickman stated in a press conference on Friday that “Vitajuice is made of powerful herbs, spices, and chemicals that we do not wish to disclose at this time.  If the FDA would like to come into our factories and investigate, then we are happy to have them as our guests.”  The FDA has declared that not enough testing has taken place for distribution of the juice, and that reports of side effects of vomiting, uncontrollable hair growth, and green-tinged skin are being investigated.
 
She sat quietly at her kitchen table.  Her skin tingled with the excitement.  The hair on the back of her neck rose as she thought about the step she was about to take.  Should she do it?  But what if all she has heard is true?  Would she be able to walk around all day like a zombie, or would she rather take the chance of looking like a monster?  Her hand reached out, trembling, then retracted quickly.  The bottle beckoned.  Her heart pounded in her chest, and she felt her throat close with fear.  Without another thought, she grabbed the bottle, opened it, and poured the Vitajuice down her throat.  Now all she could do was wait.
 

Each of these three passages all have a specific purpose. How do you know what the purpose of each passage is?  How can you tell?  There are some telling signs that readers can look for (and writers can use) to reveal purpose.

Persuasive writing wants to win the reader over to his or her way of thinking, or to ultimately make the reader take an action.  The best persuasive writers use words to make the reader want to jump up and do something.  Advertisements are aimed at persuading the audience to believe a claim, take an action, or as in the first passage, buy a product.  Such writing makes strong claims, and often causes the reader to have a feeling of skepticism—that feeling that something might be “too good to be true.”  Writing that is persuasive often uses vivid language, including the use of strong adjectives and verbs, backed up with influential—attention getting—statements.  The best persuasive writing–although one may feel the claims might too good to be true–still wants the product, or wants to take the action.

Informative writing gives the reader information, including rules, statistics, facts, history, examples, etc.  When writers inform, they seek to give the audience information about the topic that the reader may not know.  Unlike persuasive writing, which seeks to make you make a decision, informative writing gives the information in an unbiased manner. Informative writing includes textbooks, newspaper articles, “how-to” manuals, expository essays, and research papers.  Writing that seeks to inform is straightforward, factual, clear, and (should be!) unbiased.

Entertaining writing seeks to entertain the audience.  The writer does not particularly want to make you do anything, and the writer is not necessarily trying to teach you anything.  Simply, the author wants to you enjoy what he or she has written.  To entertain, writers use imagery, figurative language, anecdotes, descriptive writing, humor, suspense, or anything that is designed to capture the reader’s attention, stir emotions, and take the reader to another place in his or her imagination.

 

Maniac Magee Part One Test FREEBIE

Do you teach Maniac Magee?  How about a freebie?  This test for Part One of Maniac Magee by Jerry Spinelli is a brief test of recall.  It includes 12 true/false statements and three short response questions with answer key.  Simply click the link below to download!

[wpfilebase tag=fileurl path='Maniac Magee Part One Section Test.pdf' linktext='Maniac Magee Part One Section Test' /]

Thanks for stopping by!

What Teachers Really Do

This made me sad and overwhelmed just looking at it.  BRAVO to all teachers out there!

Using Appropriate Tone in Writing #engchat

One of the most difficult literary devices to recognize as well as convey is tone.  Helping students to identify tone in literature can be daunting, and helping students create the appropriate tone in their own original writing can also be a chore.  The following are some tips to help students grasp the concept of tone.  I have also created a free activity called “Using Appropriate Tone“ to help students grasp the idea of tone, and –trust me–kids will LOVE this activity!

The tone of a piece refers to the author’s attitude toward the subject.  Finding the tone can seem like a daunting task at first; however, you can ask yourself a few simple questions to help you figure it out.  Examples of these questions are: Is it formal or informal?  Serious or lighthearted?  Is there an emotion attached such as sadness, anger, lust, love, contentment, or consternation?  Is the author taking a humorous approach to the subject?  Is he or she being ironic, sarcastic, witty, contemplative, etc.?  To find the answers to these questions and properly identify the tone, you have to look at the author’s use of language including such tools as for word choice, phrasing, and use of or omission of details.

The same idea must be used when writing an original piece.  It is important that students use the correct diction (choice of words) to help convey the way they are feeling.  Ask students how difficult they find understanding a person’s tone through text message or emails.  Have they ever been confused by what the person is saying?  Have they assumed a person was serious when they were actually joking?  If the words are not laid out right, we can easily be confused by a person’s writing, and get the wrong idea of a person’s intentions or meaning.

Another way to think of tone is like tone being the background paper on which you write a note.  For example, if you are writing a note telling your mother how much you love her and appreciate her, and in the end, ask to borrow the car keys for the night, you may want to write your note on a pink, flowery piece of paper rather than on the back of a cardboard pizza box you pulled out of the trash.  The choice of paper gives the reader an idea of the message you are sending.  Similarly, you don’t want to give someone a note to let them know you would rather just “be friends” on a piece of pink paper with red hearts!  The words you choose to use in your writing act like those pieces of paper — you must choose your words wisely in order to get the right point across.

For helping students grasp the concept of using the right tone, please download Using Appropriate Tone, free on TeachersPayTeachers!  If you love it, please leave feedback and tell others.

Thanks for stopping by!

LiveBinder Resources For Educators

Do you know about LiveBinders?  If not, you should!  LiveBinders is an online resource that allows anyone to create a virtual binder of materials, sites, images, and more, that you can save and access at any time.  You can create binders that are private – only for your eyes – or public, to share with anyone.

The great thing about LiveBinders is that there are so many public binders for educators! We have made about a dozen binders of our materials and findings and have made them public for anyone to view (we’ve got 24 binders).  You are able to search by subject, such as “Education” to view all binders that have been categorized as educational.  There are also boards that have been posted by educators from all subject areas and interests.  Some of the most popular include iPads in Schools, which is a binder of resources for using iPads in the classrom, An Educator’s Guide to Twitter, and Classroom Printables.   There is also a way to filter further, such as by grade level or subject area, such as English, Common Core, and High School.

You can work on binders alone, or as a collaborative project, such as class blogs.  You can also embed binders within websites or blogs to share the binder to your viewers.  To view all the capabilities LiveBinders has to offer, view their intro video.

Have fun! To view our LiveBinder shelf, please CLICK HERE

Literature-Map – Helping Students Find Similar Authors #engchat

Have you heard of Literature-Map?  Touted as “The Tourist Map for Literature,” this site allows readers to type in a favorite author, then hit enter to find a map of similar authors. For example, when I typed in Katherine Paterson (author of Bridge to Terabithia) and hit enter, I got a map that included the names Chris Crutcher, Brian Jaques, Wendelin Van Draanen, Jerry Spinelli, and Louis Sachar.  The closer the writer’s names are to the center of the map (with the searched author’s name), the closer the similarities between authors.

What does this mean?  For students who know they like a particular author, they can type in the author’s name and get the names of similar authors, then search the authors for titles they have written.  The parameters of the search and findings are not given, so I am not sure how accurate these names are, but it can at the very least give students a “jumping off” point.

This is part of a larger site called Gnooks, which also has a search engine that allows students to type in the names of three favorite authors and get a name in return.  When I typed in Margaret Peterson Haddix (the Among the Hidden series), Katherine Paterson (Bridge to Terabithia), and Louis Sachar (Holes), I got back the name Nancy Farmer, who wrote The Ear, The Eye, and The Arm, A Girl Named Disaster, and The House of the Scorpion, to name a few.

Have fun!

Bridge to Terabithia FREE Quiz for Chapters 1-2

How about a freebie?  Today’s freebie is a Quiz for Chapters 1-2 from Bridge to Terabithia by Katherine Paterson!  This is a simple quiz with 6 short response questions and answer key.  Can also be used to check comprehension,  as discussion questions, for final test review, or as part of a final test!  Simply click the link below to download.

[wpfilebase tag=fileurl path='Bridge to Terabithia Ch 1-2 Quiz.pdf' linktext='Bridge To Terabithia Ch 1-2 Quiz' /]

 

This freebie comes directly from our Bridge to Terabithia Literature Guide.  A reading Quiz pack for the entire novel is also available on our site for $3.99.  Enjoy!

Show, Don’t Tell…

I thought this quote by Anton Chekhov truly exemplified the difference between showing and not telling, so I designed this little reminder…

20 FREE Writing Prompts for Spring

I’m so excited that we’re on the verge of Spring!  Such a beautiful time!  To celebrate the spring, I have added another 101 seasonal writing prompts for grades 7-10…this time, for spring.  And for you, my loyal blog readers, I have included 20 free in this post!

Here is a sampling of 20 spring writing prompts from 101 Writing Prompts for Spring:

 

  1. Work at Home Mom’s Week is the first week of May. Mothers all over the world have either chosen to work outside the home, work inside the home, or be a stay at home mom and not work. Which is the best choice, in your opinion? Why? Give details and examples to support your response.
  2. March is Women’s History Month. Choose an important woman from history and do a research report on her life and accomplishments.
  3. April 7th is World Health Organization Day. What is the World Health Organization and what do they do?
  4. March is Music in Our Schools Month. In many schools, music programs are being cuts as budgets dwindle. Write an argumentative paper on why music programs should not be cut from schools.
  5. Explain and respond to the following quote by Robin Williams: “Spring is nature’s way of saying, ‘Let’s party!’”
  6. National Defeat Diabetes Month is April.  What is diabetes and why are there two different types?  Why is diabetes such a dangerous disease?
  7. May is ALS or Lou Gehrig’s Disease Month.  Who was Lou Gehrig and why does he have a disease named after him?  What is the disease and how does it manifest itself?
  8. The second Sunday in May is Mother’s Day.  Many people have a special person other than a mother that they would like to celebrate.  Create a special day for that person who is special to you.  Write about why he or she should be celebrated each year.
  9. May is National Hamburger Month.  Imagine you have invented a new hamburger…what would it have on it?  Describe your burger in detail.
  10. You are completing the Spring cleaning your mom is making you do, when you come across a box you have never seen in your basement.  You wipe off the thick layer of dust, break open the lock, and open the box.  Describe what you see when you open the box.
  11. April is Grilled Cheese Month.  Describe in step-by-step format how to make a grilled cheese sandwich.
  12. Spring is a time for rebirth and change.  What three things would you most like to change in your life?
  13. Explain and respond to the following quote by Doug Larsen: Spring is when you feel like whistling even with a shoe full of slush. 
  14. April is National Poetry Month in the United States.  Read, analyze, and interpret Elaine Equi’s poem “National Poetry Month.”  What is the tone of the poem?  What feelings are you left with by reading this poem?  Write your own ode to poetry.
  15. The first week of May is Teacher Appreciation Week.  Write a letter to a teacher you appreciate, then send it.
  16. Some say that after a rain, a rainbow appears, and at the end of the rainbow is a pot of gold.  Pretend that you found the end of a rainbow.  Write a story about your adventure to the end of a rainbow, what you saw along the way, and what you found at the end of the rainbow.
  17. April 22 is Earth Day.  Write a poem about the earth, saving the planet, going green, endangered species, global warming, or any other topic related to the Earth.
  18. Write a 10-line ode to a chocolate bunny.
  19. Pretend you are an Easter egg about to be colored.  How would you want to yourself to be decorated to best illustrate your personality and interests?  Be descriptive.
  20. April is Alcohol Awareness Month.  Research statistics of drunk driving and the effects of alcohol.  Create a campaign informing your classmates.

You can purchase 101 Writing Prompts for Spring, as well as 101 Writing Prompts for Winter, and 101 Writing Prompts for Fall on TPT for just $5 each!  (Of course, 101 Writing Prompts for Summer is coming soon!)

Enjoy!

 

 

15+ Pinterest Boards Teachers Should Be Following #edchat

 

Via http://www.jessicamonnichphotography.com/blog/2011/07/pinterest/

Pinterest seems to be taking the teaching world by storm.  If you haven’t had a chance to check out this visual virtual playground, you have got to take a moment to check it out – even if you don’t decide to start an account yet.  There are some absolutely amazing boards out there that provide links to fabulous teaching ideas, products, freebies, giveaways, classroom organizational ideas, and more!  There are boards separated by grade level, subject area, subject within a subject (for example, I have a board on Reading/Literary Analysis), and more.  Simply click on a picture, and it will take you to the blog post or product page instantly!

So, I have done some research (by spending most of my evenings pinning away) and would like to recommend some amazing boards and Pinners you should be following!

#1: Charity Preston from The Organized Classroom Blog – Charity currently has nearly 8000 followers of her 3343 pins on boards.  Be sure to check out her “Classroom Management Ideas,” “Classroom Environment Ideas,” and “Seasonal Teaching Ideas” boards.

#2 Started by Charity Preston, you MUST check out “Classroom Freebies!” with over 1150 real-life FREEBIES for the classroom!

#3 Don’t miss some amazing grade level boards (also started by Charity).  Featuring teaching ideas, blog posts, products, freebies, articles, and other ideas, these grade level specific boards can help teachers find just what they need in just a few clicks.  Just a few are: First Grade Faculty, Fourth Grade Friends, Middle School Maestros, and High School Herd

#4 One of the largest collections is from PediaStaff, with over 100 boards and nearly 8400 pins.  I recommend starting with the Welcome board so that you can get an idea of how to best use the boards and navigate yourself through this huge resource for parents and teachers alike.

#5 Victoria Leon of The Best of Teachers Pay Teachers has started her own set of boards, featuring…the best of TeachersPayTeachers.  She’s also separated these boards into subject.  Check out the TPT Language Arts Lessons and The Best of TPT FREE, which features tons of free products on TPT.  There are also separate boards for math, social studies, and science.

#6 Debbie Clement has to be one of the Pinterest Queens, with over 10,000 pins to her boards!  An author and songstress, Debbie’s boards are centered around her songs for primary students, and are full of color and life.  Be sure to check out Alligator, Alligator, for an idea of her boards, as well as the collaborative Kid Blogger Network Activities & Crafts collaborative board with 1660 pins!

#7  Melissa Alonzo-Dillard (with close to 2500 followers) also has some amazing boards for Classroom OrganizationCenter Ideas,  and Daily Five.

#8 For days when you need a sub, hop on Pinterest and check out Rachel Friedrich’s Sub Hub Freebies, and Substitute Teaching Ideas

As a final word, I must warn you that Pinterest is highly addictive!  It’s one of those things you get lost in…and “wake up” hours later wondering where the time went. (You have been warned.) Of course, while you’re wandering, I would love it if you also took a moment to check out and follow my Pinterest Boards as well!

Happy Pinning!

P.S. Don’t wait for an invitation from Pinterest…leave your email address and I would be happy to invite you myself!

Nine tips for taking notes in a book (without ticking off your librarian!)

When I took my first English class right out of high school, I was shocked that not only did we have to purchase our own books, but we were even allowed to write in them!  I had always been told not to write in my schoolbooks—and all I ever saw written were things like “School SUX” or obscene drawings.  I was never taught to take notes in a book, but over time I learned that by writing notes in the margin, being able to highlight or underline a key point, and using my textbook as a practical, tangible tool was invaluable.

When I went into teaching, I was reminded that the same “hands-off” rule applied to my students.  Because of budgetary reasons, the school was only able to afford enough books for about 120 students at a time (the fact I never had enough books for my classes is a whole other story, but I digress…). Students were never allowed to write in their books.  Thus, I was always searching for creative methods to help my students to use their books as a living, breathing, interactive tool, rather than an untouchable, inaccessible tome filled with random obscenities. I felt (and still feel) that the more students are able to make their books—especially novels—an active tool for learning, the better they will learn.  The more involved they are allowed to be with the story the better, and being able to be an active learner and note-taker in that process helps them be an active participant in the workings of the story.

This month, I have decided to share some of the tools I have used over the years to help my students use their books as active learning tools, while keeping the librarian happy by not making permanent marks in the books.  (If you have other tips and tricks for teachers who are not allowed to have students write in books or cannot require students to purchase their own books, please feel free to comment on this blog or share them with our followers at www.facebook.com/secondarysolutions!)

  1.  Sticky-notes.  These are not always cheap, but usually dollar stores have good deals on sticky-notes, or you can get bulk packs for a good deal during back-to-school sales. Encourage students to write their thoughts, questions, and ideas on sticky-notes, and to stick away!  The more notes, the better.  Be sure that students know what kinds of things to write on their sticky notes.  Don’t just have students summarize the chapter or section, although this might be one sticky note.  You may want to model a book that you have already marked with notes to show how it is done.  Teach students to question the text, then once they find their answer, to go back to their sticky and write the answer.  They can either remove the sticky, or they can keep it there in the book.  Once students have completed the novel (or section of a text), have them remove their sticky notes, stick them onto blank sheets of paper and use the notes as a review/study guide.  If they have not found the answers to questions they posed, have them go back to the text to find the answer.  Encourage them to bring any outstanding questions or concerns to a class discussion.
  2. Flags.  Flags are a modification of sticky notes, but can be used to highlight major points or things to remember rather than writing them down.  Flags are the skinny sticky notes that are either shaped like an arrow or are rectangular.  They are small enough to write one or two words, but they are more useful for just quickly pointing out things to remember for future reference.  From there, once the book is finished, students can look back on their book to their flags to help them arrange written notes.  Sometimes students will find that what they flagged seemed important but wasn’t, or that they didn’t flag something that turned out to be important.  This helps students in the long-term to be able to help them become more active readers and find the more important aspects of the text.
  3. Paperclips.  These days, paperclips come in all sizes, and a variety of different colors and shapes, so students can have fun with this one.  If using multi-colored clips, have students decide which colors correspond to which color paper clip.  For example, a pink clip can represent a note about character.  Have students clip a sticky-note key to the front of their book for reference.  When they find something interesting or note-worthy about a character that they would like to remember, have them clip the pink paperclip on the start of the line or passage in the book. They can use different colors to represent other notes, such as blue for important quotes, red for important plot twists or conflicts, etc.
  4. Original Bookmarks.  Have students cut a plain piece of horizontally aligned paper into 5 sections, like a bookmark.  At the top of each, have students write Characters, Conflict, Plot, Quotes, and Questions (or whatever you would like them to take notes on).  Students can decorate their bookmark, but it must have room on both sides for notes.  As they read, they use the specified bookmark to take notes.  If they find an interesting quote, for example, they would write on their “Quotes” bookmark the page number and the first few words of the quote so that they can come back and find it later.  They can leave the bookmark on that page as they continue to read.  When they find another notable quote, they move the bookmark to the new page and repeat the process, noting page number and first few words of the quote.  Once students have used the bookmarks, they can start a new one and staple them together.  When they have finished reading the text, they have a built-in study guide.  Students should then go back (keeping with the example) and re-read the quote, taking notes in a notebook of who said it and why the quote is important to the story.  An especially fun bookmark to make is Prediction, as students move their bookmark chapter by chapter, they can see what they predicted and whether they were right, again helping students retain the reading and remain active readers.
  5. Note cards. Have students write details of each chapter on a note card designated for each chapter.  For each chapter, have students write: Major Characters, Important Events, Important Quotes, Questions on the Chapter, and Predictions.  Students should complete all sections, helping create great study cards for review after reading the novel.  Be sure to remind students to write down page numbers for later review.
  6. Dog-ear.  While your librarian may not be thrilled that students are actually touching the pages (!) the old-fashioned approach of dog-earring pages still works.  Have students gently fold the corner of a page they find interesting, for whatever reason at the time they are reading.  Once they have finished the chapter or section, have students go back and write down reasons they dog-eared the page.  It could be an interesting quote, something that doesn’t make sense the first time they read it, or something they want to remember.  From there, students can either use note-cards or a simple notepad or piece of paper to write down page numbers and reason for the dog ear.  This is still making students a) actively read the text and b) go back at least a second time to re-read for the reason for the dog-ear, which will help them make connections with the text.
  7. Bubble diagrams or webbing.  Have students start with 5 blank pages of paper.  In the middle of each one, have them draw a circle.  Have them write the one of the words characters, plot, quotes, questions, problems in each of the five circles. Have them then draw “legs” off the center circle.  Encourage students to add bubbles to their main circle as they learn things about each of the five main circles.  Allow them to write what they learn, as they learn it about each of the five topics.  For students who can’t handle 5 pages, limit to two or three topics, or have classes work in small groups to complete their work and compare notes each week or so.
  8. Give students an outline.  This is something most of our Literature Guides offer.  Our “Note-taking and Summarizing” activities ask students to outline chapters or sections, looking for specifics about the novel, such as major characters, plot events, setting, important quotes, personal responses/thoughts, questions about the chapter, and predictions about what will come.  Often, having a familiar outline will help students learn the most important aspects they should be looking for in a novel.  Once they can find the basics (i.e. characters, conflicts, etc.) naturally, they will be able to move on to more complex aspects of text analysis, such as symbolism, irony, and such. Be sure to model at least the first chapter, working together as a class to actively use the text and the note-taking sheet to find important notes.
  9. Create a Facebook page for the novel your class is reading.  Title it something like “Mrs. Smith’s classes for the study of Romeo and Juliet.” Have students post notes, interact with each other in discussions and share comments.  You will have to monitor this one, however, or it could become a breeding ground for sharing answers!  It is also important to check with your school/district for their rules for the use of Facebook in instruction.  Be sure that rules about conduct are clear.

Of course, be sure to have students remove stickies, tags, notecards, and fix dog-ears before returning the books to the library, or you will surely then tick off the librarian!

(originally posted 3/1/2011)

Good luck!

 

Tips for Writing Great Quizzes and Tests

I decided to re-post this article, since I wrote it before I actually had people reading my blog!  Enjoy!

 

(Originally posted June 7, 2011)

For the last few months, I have been working night and day to “separate” our Literature Guides into our new products, called PocketSolutions®.  The idea of the PocketSolutions product is a smaller, bite-sized portion—such as a collection of Comprehension Check questions, a single test, or a quiz, taken directly from an existing Literature Guide to be sold at a fraction of the price.  It is an idea we are very excited about, and in working to divide our Guides, I have had the unique opportunity to take a very close look at each activity, quiz, test, worksheet, and handout.  After viewing the quizzes and tests in each Guide individually, I decided that our quizzes and tests needed to become more consistent from Guide to Guide, so I have done more research on creating quality quizzes and tests. I will be meeting with our writers and editors to implement some changes which we hope will make our assessments more consistent, appropriate, and effective.  After this research, I decided to share my findings with you.  We will be using this information to create better quizzes and tests within our products, and you will hopefully be able to use this knowledge to write great quizzes and tests yourself.  Good assessments will help you correctly and effectively assess your students’ knowledge and comprehension of a text so that you can more successfully schedule and utilize the precious time you have with your students.

First, decide the goal of the assessment.  Do you want to quickly check that your students have actually read the chapter they were assigned to read last night?  Do you want to test your students on a deeper level—getting into the analysis of the text?  Or, do you want to spark your students’ interest in further reading by asking “teaser” or rhetorical “theme-based,” open-ended questions?  In other words, what do you want to know about your students’ grasp of the subject – and what do you plan on doing with the information you gather from the assessment?  It is a waste of everyone’s time to test students on random questions just to give them a test; furthermore, it is a waste of time to write a test that has no meaning, then fail to grade the tests and use them to your benefit.  Unless your goal is to surprise your students with a random pop quiz to keep them on their toes, it is crucial that you take the time to make a meaningful assessment that teaches both you and the students something of value.

Deciding on the goal of the assessment will help you to know not only how many questions to give your students, but also the format of the assessment, how long it will take you to grade the assessment, and how to use the findings to inform further teaching.  For this article, I have decided to focus on three types of assessments.  I have also created a list five of the most valuable and helpful general tips I found in my research and included it at the end of the article.  Finally, I have included a few very helpful links and recommended books on the subject in case you would like to read more in-depth about test creation.

Three Types of Assessments
Multiple Choice

In my research, I was surprised to find that good multiple choice questions can be just as revealing and successful as essay or short-response questions. In fact, well-written multiple choice questions can be written to measure reasoning, comprehension, application, analysis, and other higher-level thinking processes. This was great news!  I already knew that multiple choice type questions were not only more manageable for students of all learning levels than written-response question, but they are also easier and less time-consuming to grade than essay or short-response questions!  However, they must follow some simple, but important rules to be effective and useful:

The question or statement (also called the stem) should:

  • be clear, concise, and unambiguous
  • always include a verb.  Ex.  “The author used foreshadowing in this chapter to reveal…” or Ex. “What is the purpose of the use of foreshadowing in this chapter?” Avoid the phrasing “The author…” or “Foreshadowing…”, for example.
  • be based on the content, not on random information—you will get nothing for further teaching out of asking questions such as “What color shirt was Jim wearing in Chapter Two?” and you will just end up losing credibility and frustrating your students.
  • move beyond mere recall of information, by avoiding the exact wording of a text.  This includes vocabulary definitions.  It takes more work to write these questions, but in doing so, you will be helping students to move beyond recall to higher-level thinking and problem solving.

Answer choices (also called distractors) should:

  • be clear to the student.  Be sure there is only one correct response.  Don’t try to trick students—again, this just results in frustration.  A good practice is to put yourself in the students’ shoes to think of common or possible errors that students might make, then offer those as choices.
  • be in the same grammatical format. Be careful not to give away an answer because of “a/an” wording or pluralization!
  • be approximately the same length or number of words.  A red flag is raised in our minds when only once choice is a one-word response, or conversely, a longer response than all the others.
  • not repeat the same words in all the choices.  Rephrase the stem if you find your distractors repeating a word or phrase throughout.
  • be short, sweet, and to the point.  No one wants to have to read a question or answer choices over and over because they are too wordy or full of jargon.
  • avoid the use of “all of the above” or “none of the above.”  By using “all of the above” as a choice, the student only needs to know one or two correct choices, increasing the possibility of a correct random guess.  While the “none of the above” choice is better and can increase difficulty, unless it is used more than once or twice, it can be a dead giveaway.
  • use capital letters for answer choices. This will help students with reading and/or writing difficulties and will help reduce confusion in correcting. (This is also true for Matching tests.)

 

Matching

Matching questions—where students are given a word or phrase in one column and are asked to match them with the correct description, definition, etc. in a second column are another testing favorite.

There are also a few general guidelines that will help make matching assessments more effective:

  • It is better to have more possibilities than items.  In other words, don’t try to trick students, but having more seemingly plausible answer possibilities will help eliminate students just guessing the last few answers based on process of elimination.
  • Items and choices should all be on the same page—students should not have to flip pages.
  • Make both the items and the answer choices must be clear, short, and to the point.  The more they have to read, the more confusing and time-consuming the test becomes.
  • Be sure to mention that choices will be used only once, more than once, or not at all.
  • Give students letter choices rather than having students draw a line to the correct response from column to column.  Correcting is just far too difficult, especially when the student decides to get creative with their lines, or makes a mistake and tries to change it!

True/False

True/False statements are another favorite in classrooms.  Also called a “forced-choice” type of question, students must make a decision whether the statement given is true or false, giving them a 50/50 chance at a correct answer.  These types of questions are ideal for recall or basic comprehension.

  • Avoid using negatively worded statements.  Statements should not use the word “not” at any time.  This is a form of trickery!
  • Avoid directly restating the text.
  • Try to make all statements, whether true or false, the same length.  There is a tendency to write long true questions because of the available material.
  • Avoid long, wordy statements or complex sentences.  This can easily cause confusion for a student, especially when students think one part of the statement is true and another is false.
  • Avoid stating opinions unless they are attributed to someone.
  • Avoid using all, always, never, none, etc. as these can be dead giveaways because of the sweeping generalization.
  • Having students correct false statements can be tricky.  Be sure to underline the part of the statement that needs to be rewritten or corrected so there is little confusion.

5 Tips for Writing Quizzes and Tests

In general, there are some guidelines that can help you no matter what type of quiz or test you write.

Assessments should be clear, precise, and answerable.  Students should not have to be an expert on the subject on which they are being tested, but should be able to answer the questions that you have given them based upon the information that they have been taught.  Remember, if you have quite a few students failing the test, the problem may not be with the students—it may be with the test, or even further, with the delivery of the information.  Here are some tips to help make your assessments the best they can be:

  • Decide on format.  There is something to be said for consistency, as the type of quiz becomes familiar to the student and the student knows what to do with it.  Or, make each test multiple choice, like state assessments, so they can get used to the format.
  • After you have taught a particular lesson or given a particular lecture, review your notes or make a list of the ideas you believe students should have learned. Base your questions for the quiz or test on these notes.
  • Be sure you read over the test in its entirety so that you are not giving away answers in other questions.
  • Use Bloom’s Taxonomy of Questioning.  To be sure your assessments do not merely measure recall, but higher-level questioning as well, make a chart or checklist to keep track.
  • Once you have written a test, be sure to leave it alone for a few days, then try taking the test yourself\. This is especially true year after year.  Be sure that you actually taught the information on which your students are being tested.  You may have accidentally left out an entire section in this year’s lecture without even realizing it.  (I have done this, only to sadly realize that my tests were a waste of time.)

Once you have given the assessment, it is always helpful for students to receive the answers in one format or another.  I always liked going through the answers using the overhead project (yes, low-tech, I know…but it works!).  This way, the questions are fresh in their minds, and they can think about their own answers in comparison (always a popular choice with high-level or Honors students who are impatient about their scores!)  This also helps open the discussion for incorrect choices.  Create an environment where students feel comfortable sharing their answers—correct or not.  This gives you the opportunity for a “teachable moment,” maximizing your class discussion time, and scaffolding upon their learning, and segueing into the next lesson.

 

Helpful Websites and Books
Indiana University, Bloomington Evaluation Services & Testing
The Center for Assessment and Research Studies
Alabama Department of Education Professional Development Modules
University of Texas, Austin Instructional Assessment Resources
Classroom Assessment – What Teachers Need to Know (Fifth Edition) by W. James Popham, ISBN 978-0205510757

 

Teaching Inference

The concept of inference is one of the most difficult to teach, however even as low as grade 4, the concept must be addressed in some form or another, usually by reading a fictional text and being able to make an assumption or guess based on the evidence or facts from the text combined with their own prior knowledge.

Here are the Common Core ELA Standards (grades 4 and up) that mention inference:

  • RL.4.1. Refer to details and examples in a text when explaining what the text says explicitly and when drawing inferences from the text.
  • RI.4.1. Refer to details and examples in a text when explaining what the text says explicitly and when drawing inferences from the text.
  • RL.5.1. Quote accurately from a text when explaining what the text says explicitly and when drawing inferences from the text.
  • RL.6.1. Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • RL.7.1. Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • L.7.4. Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grade 7 reading and content, choosing flexibly from a range of strategies.
    • Verify the preliminary determination of the meaning of a word or phrase (e.g., by checking the inferred meaning in context or in a dictionary).
  • RL.8.1. Cite the textual evidence that most strongly supports an analysis of what the text says explicitly as well as inferences drawn from the text.
  • RL.9-10.1. Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • RL.11-12.1. Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain.

In other words, students in grades 4-12 must be able to:

  • demonstrate the ability to read a fictional passage or text, understand and articulate what the text directly as well as indirectly states in order to make an assumption about the text
  • identify, extract, and cite text to support the response
  • and further, in grade 7 specifically, students must be able to make meaningful assumptions about multiple-meaning and unknown words through context clues.

So, let’s start with some definitions:

Infer verb; to conclude by using logic

Forms of the verb include:    infer, inferring, inferred

Inference – noun; the process of drawing conclusions based on logic

Both definitions include the words logic, and variations of the words conclude.  To conclude is to form an opinion or reach a decision about something.  Logic is sensible, rational thought or argument based on facts rather than emotion.

In other words, to infer is to form an opinion based on facts.

There are several ways of teaching inference.  At the very basic level, students must be able to discern between fact and opinion.  I will assume that students are able to understand fact versus opinion by the fourth grade, but if not, start there.

Beyond that, students must be able to make observations.  Observations are clues—things that the student sees—either literally (as in a picture) or figuratively (as in a paragraph or story).  Observations are factual and can be proven.  From observations, students must then use the knowledge they have been given and/or their own personal knowledge to make an inference.  Inferences are personal and contain opinion.

Take a look at this picture:

 

 

 

 

Ask students to write down their observations.  Remember, these are FACTS…what they see and what can be proven in the picture.  To test this, you can ask students to literally show you where they see what they’ve written down.  This can be projected on a whiteboard or computer projector screen.

Some simple observations:

There is a woman in the picture.  She is looking into a microscope.  She has on a white lab coat.

From here, students can make inferences:

The woman is a scientist.  She is doing research at a university. She is on a team looking for a cure for cancer.

Give students a set of pictures to practice the still of making observations and inferences.  Have them make 3-5 observations and 3-5 inferences based upon those observations.  To take the exercise further, have students make a prediction about what they think will happen next, based upon both their observations and personal inferences. (I have also put together this FREE download including pictures if you would like to use this activity.)

But of course, students must also be able to make inferences from texts.  To do this, students must be able to make observations about a text or excerpt.

Here is an example:

Imagine that you enter your classroom and your classmates are standing around your desk.  They’re waiting for you. When you walk in the room they see you and start clapping.  What do you think?  Why? 

What observations (clues) can you “see”?

  • classroom, classmates, they are waiting for me, they start clapping when I get there

What can you infer is happening, based upon your observations and the knowledge you have been given in this excerpt?

  • (A) It is the last day of school and everyone is excited to be going on summer break.
  • (B) It is my birthday, so everyone joins in to sing “Happy Birthday” to me.
  • (C) I stood up for a younger boy at lunchtime, finally telling the school bully to stop picking on everyone.

Based upon the information given in the excerpt, the logical answer is C.  The cheers are directed to the student, so there is no reason to believe they are cheering for summer break (A).  Similarly, the students do not begin singing “Happy Birthday” so (B) can be ruled out.  While (C) is quite specific, it is the most logical answer.  The students are waiting for the student to come to class, and they begin clapping for the student for his/her heroics at lunchtime.

For making inferences based upon texts, students should ask themselves:

  1. What facts do I see? (Observation)
  2. What else do I know? (Knowledge)
  3. What can I guess or imagine is happening, based upon 1 and 2? (Inference)

For more practice with inference, check out my FREE Observation and Inference activity.

Thanks for stopping by!

Loyal Google Friend Connect Followers – 4 Ways to Keep Connected

Hello loyal Google Connect followers!  As you may or may not know, Google is going to be disabling the Google Connect sign-up widget, and removing the entire Google Friend Connect option.

Many of us bloggers have lots of loyal followers that have taken us a long time to earn, and we don’t want to lose them!  So, I have a couple options for you if you are interested in continuing to follow Secondary Solutions on the secondarysolutionsblog.com.

Option 1: Join our email newsletter.  This newsletter gets delivered to your inbox once a month…easy peasy.  To join CLICK HERE to add your email address.  Personal addresses (Yahoo, Gmail, etc.) work best, as many schools and districts have blocks set up.

Option 2: Join NetworkedBlogs.  It’s free and you can follow all your favorite blogs in one place!  To follow us, simply click “Follow Secondary Solutions” in the NetworkedBlogs box (located in the right column of this page).

Option 3: Join Google Plus.  This is the reason Google has disabled Google Friend Connect.  They are hoping everyone will then jump over to Google Plus and start sharing and following there.  To join Google Connect, go here.  If you are already on Google +, and want to join Secondary Solutions’s circles, just press the red “Add to Circles” button (also located in the right column of the home page).

Option 4: Like us on Facebook.  We’re posting here all the time, and we can direct you to everything we’ve got on our blog on a frequent basis.

I hope this helps you stay connected to not only Secondary Solutions, but all your favorite blogs!

Have a great day!

 

Analyzing Rhetoric and Rhetorical Devices

Rhetoric in its simplest form is the art of persuasive speech or writing.  For thousands of years, politicians and orators have been known for their use of rhetoric to influence and persuade an audience to their side or way of thinking.  Rhetoric is all around us, in the form of political speeches, commercials, art, television, movies, newspaper and magazine articles—even in our everyday conversations.  Each time we want to get our way, or take out our money to buy a product we saw in a commercial, we are either using rhetoric or are persuaded by the use of rhetoric.  While various media use different ways of appealing to an audience, they each have the same purpose: to persuade.

There are different ways a speaker or writer can appeal and seek to persuade to his or her audience: 1) logic or reason (logos), 2) emotion (pathos), and/or 3) ethics and morals (ethos).

  • Logos: by appealing to an audience’s sense of reason and logic, the speaker or writer intends to make the audience think clearly about the sensible and/or obvious answer to a problem

→    Logos appeals to the audience with facts, statistics, definitions, historical proof, quotes from “experts.”  Think of the commercials that have a sports star or celebrity giving statistics about and their own endorsement of a product.  It is logical that if a sports star uses this elliptical machine and is in shape that it works—or at least, that is what you are led to believe.

  • Pathos: by appealing to the audience’s emotions, the speaker or writer can make the audience feel sorrow, shame, sympathy, embarrassment, anger, excitement, and/or fear.

→    Pathos appeals to the audience through the use of figurative language, imagery, vivid descriptions, an emotional choice of words, or examples that are designed to make you FEEL a certain way.  Think of an ad or an article showing our servicemen in uniform holding their tiny newborns or hugging their child and wife, with tears streaming down their eyes. 

  • Ethos: the overall appeal of the speaker or writer himself or herself; it is important that this person have impressive credentials, a notable knowledge of the subject, and/or appear to be a likeable and moral person.

→    Ethos appeals to the audience with a calm, trustworthy, seemingly sincere approach.  The speaker uses good grammar and is well-spoken, and tells stories that are backed by general common sense and need to feel secure. Think of a commercial of a “doctor” in a white lab coat telling the audience all about how a new medicine can help treat one’s symptoms.  We listen because we trust the doctor, who appears to be well-spoken and knowledgeable about his subject.

It is not only important what a speaker or writer has to say, but how he or she actually says or presents it.  There are literally hundreds of rhetorical devices, dating back to the famous orators Socrates, Plato, and Aristotle.   Besides using devices you may already be familiar with, such as figures of speech (metaphor, simile, personification) and sound devices (alliteration, assonance, consonance), writers and speakers use many other rhetorical devices to communicate their message.

Below is a very short list of some of the more common rhetorical devices, their definitions, and a brief example of the device in use.

  • alliteration: repetition of consonant sounds at the beginning of words ex. “Peter Piper picked a peck of pickled peppers.
  • anaphora: repetition of a word or phrase at the beginning of successive phrases, clauses or lines, ex. “Mad world! Mad kings! Mad composition!” (King John, II, i)
  • antithesis: opposition or juxtaposition of ideas or words in a balanced or parallel construction, ex. “Not that I loved Caesar less, but that I loved Rome more.” (Julius Caesar, III, ii)
  • aporia: questioning oneself (or rhetorically asking the audience), often pretending to be in doubt, ex. “The baptism of John, whence was it? From heaven, or of men?” (Matthew 21:25)
  • aposiopesis: a sudden pause or interruption in the middle of a sentence (often for dramatic effect) ex. “I will have revenges on you both / That all the world shall— I  will do such things — What they are yet, I know not; but they shall be / The terrors of the earth! (King Lear II, iv)
  • apostrophe: a sudden turn from the general audience to address a specific group or person, either absent or present, real or imagined, ex. “Oh death, where is thy sting?  Oh grave, where is thy victory?” (1 Cor. 15:55)
  • asyndeton: the absence of conjunctions between coordinate phrases, clauses, or words, ex. “Are all thy conquests, glories, triumphs, spoils, / Shrunk to this little measure?” (Julius Caesar, III, i)
  • conduplicatio: repetition of a key word over successive phrases or clauses “We will have difficult times. We’ve had difficult times in the past. And we will have difficult times in the future.” Robert F. Kennedy’s Eulogy for Martin Luther King, Jr. (1968)
  • euphemism: a substitution of a more pleasant expression for one whose meaning may come across as rude or offensive, ex. “He passed away,” rather than “He died.”
  • hyperbole: exaggeration for emphasis or for rhetorical effect, ex. “I died laughing.”
  • irony: (verbal) expression in which words mean something contrary to what is actually said, ex. Looking into your wallet full of nothing but a few pennies, and exclaiming, “Lunch is on me, guys— I am rich!”
  • metonymy: a reference to an object or person by naming only a part of the object or person, ex. “She stood in the driveway watching as the beards moved her furniture into her new house.”
  • paralipsis: pretending to omit something by drawing attention to it, ex. A politician saying: “I will not even mention the fact that my opponent was a poor student.”
  • parallelism: repetition of a key word over successive phrases or clauses, “We will have difficult times. We’ve had difficult times in the past. And we will have difficult times in the future.” Robert F. Kennedy’s Eulogy for Martin Luther King, Jr. (1968)
  • personification: giving human characteristics to non-human objects ex. The pen danced across the author’s page.
  • polysyndenton: using conjunctions to emphasize rhythm, and therefore emphasize a certain point ex. “In years gone by, there were in every community men and women who spoke the language of duty and morality and loyalty and obligation.” William F. Buckley
  • rhetorical question: a question that is posed for emphasis, not requiring an answer, ex. “Art thou mad? Is not the truth the truth?” (Henry IV, Part 1, II, iv)
  • synecdoche: a part or quality of something which is used in substitution of the larger whole, or vice versa, ex. “The hospital worked for hours to revive him,” (referring to the doctors and nurses inside the hospital) OR  “She took us outside to look at her new set of wheels,” (referring to her new car)
  • understatement: deliberately de-emphasizing something in order to downplay its importance, ex. “The Internet has contributed somewhat to improving communication,” is an understatement.

Since Martin Luther King, Jr. Day is just around the corner, I have prepared a few questions for your students when analyzing King’s Letter from Birmingham Jail or the “I Have a Dream” speech. (Can also be modified to be used in general analysis of any speech).  This item is also available in PDF format FREE {here}.  

  1. Who do you think is the intended audience for this piece?
  2. Using King’s entire speech find two examples of each of the use of pathos, ethos, and logos.  Be sure to indicate which line or section you are quoting in your response, explaining/defending your choice.
  3. Find examples of three different rhetorical devices.  Be sure to indicate which type of device is being used.
  4. Which rhetorical device did King seem to use most?  Was this the best choice?  Why or why not?
  5. Do you think King gave a good argument?  If King was giving a speech to a courtroom and you were a juror in the case, would King’s speech have swayed you to one side or another?  How?
  6. Choose three parts of the speech that were particularly interesting or memorable to you.  Why did you choose these particular segments to highlight?  How did they appeal to you (logos, pathos, ethos)?

Have I missed any important rhetorical devices?  How do you like to teach rhetoric in your classroom?  I would love to hear from you!

Thanks for stopping by!

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