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Ideas, tips, and tools for the middle and high school English Language Arts teacher

Every student has a story

I saw this video on elephantjournal.com and I had to share.  Remember that as you enter the new school year, every student has a story…most of it we don’t see. Remember to listen, keep an open mind, and sometimes even give them the benefit of the doubt.

I think that every high school student should see this video.  (Note: there are a couple cuss words.) Want to make it more “educational?”  Have students journal their thoughts.  Want to do more?  Have students work on a video of their own story…that should be some powerful stuff if they are willing to share.

Here’s Kenna’s story…

http://www.elephantjournal.com/2011/08/thank-you-kenna-warning-tearjerker/

Annotated version of the Common Core Standards for English Language Arts, Grade 8

As promised, I have now completed the Annotated Common Core Standards for Grade 8!  The more vague standards have been broken down into bite-sized chunks to help you understand them better, and thus, be able to implement them better.  Some of the standards were already pretty self-explanatory so I left those alone, but wherever you see the boxes are where I have tried to explain or articulate the expectation(s) of the standard.  If you find something particularly confusing, please email me and I will be happy to explain or articulate better, or add an explanation where there was none.  Hope it helps…please be sure to leave feedback; I would love to hear your thoughts!

Note: This project is in no way affiliated with the Common Core Initiative.  The Common Core Initiative was not involved in the production of, and does not endorse, these guidelines.

P.S. For a pretty, printable version you can download for FREE (maybe even laminate as a poster or keep in a binder for reference)! visit http://www.teacherspayteachers.com/Product/Annotated-Common-Core-Standards-for-ELA-Grade-8

GRADE 8
COMMON CORE STANDARDS: ENGLISH LANGUAGE ARTS

READING: LITERATURE
KEY IDEAS AND DETAILS
• RL.8.1. Cite the textual evidence that most strongly supports an analysis of what the text says explicitly as well as inferences drawn from the text.
 Students should demonstrate the ability to read a fictional passage or text, understand and articulate what the text directly as well as indirectly states in order to make an assumption about the text.
 Students should be able to identify, extract, and cite text to support the response.
• RL.8.2. Determine a theme or central idea of a text and analyze its development over the course of the text, including its relationship to the characters, setting, and plot; provide an objective summary of the text.
 Students should demonstrate the ability to articulate the theme(s) or central idea(s) of a fictional text, providing specifics from the text to support the response.
 Students should be able to articulate how specific characters, setting, and elements of the plot reveal and contribute to the theme of the text.
 Students should be able to write a summary of the text that is free of bias and personal opinions.
• RL.8.3. Analyze how particular lines of dialogue or incidents in a story or drama propel the action, reveal aspects of a character, or provoke a decision.
 Students should be able to identify dialogue in drama or fiction.
 Students should be able to articulate how certain incidents in a text further the plot, reveal character traits directly or indirectly, or provokes characters to make decisions based upon the incident.
 Students should demonstrate the ability to recognize how characters respond and change as the plot moves forward.
 Students should be able to articulate the effects characters’ decisions have on the plot, how the setting affects the characters and plot, how characters affect each other, etc.
CRAFT AND STRUCTURE
• RL.8.4. Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including analogies or allusions to other texts.
 Students should be able to identify the use of figurative language, i.e. metaphor, simile, personification, imagery, hyperbole, etc. in a text.
 Students should be able to demonstrate the meaning of a word or phrase within the passage, based upon the context clues of the sentence.
 Students should be able to identify shades of meaning of words and phrases.
 Students should be able to articulate the meaning and impact of diction, including the use of dialect, slang, accents, etc.
 Students should be able to demonstrate the ability to recognize and explain the meaning and impact of the meaning of specific word choice on a passage.
 Students should be able to analyze analogies or allusions to other texts, including the meaning of the analogy or allusion and how it contributes to or helps clarify or support the themes and/or central idea of the text.
 Students should be able to articulate how figurative language and sound devices affect the reader and assist in the overall understanding and enjoyment of a text.
 Students should be able to identify the mood and tone of a passage, and the meaning and impact of word choice on the mood and tone of the passage.
• RL.8.5. Compare and contrast the structure of two or more texts and analyze how the differing structure of each text contributes to its meaning and style.
 Students must be able to identify theme, setting, and elements of plot.
 Students should be able to recognize elements that contribute to the theme, setting and plot within a drama or poem.
 Students should be able to articulate differences in structure between fictional texts, including drama, poetry, novels, short stories, etc.
 Students should be able to articulate the differences between dramatic elements (i.e. monologue, soliloquy, aside, dialogue).
 Students should be able to explain the differences between different types of poetry and poetic structures (i.e. sonnet, limerick, haiku, free verse, etc.).
 Students should be able to identify the meaning of style within a text, including voice, diction, tone, sentence fluency, use of punctuation, use of narrator and point of view, etc.
 Students should be able to articulate by comparing and contrasting the similarities and differences between the structure, author’s style and approach, order/sequence, approach to similar themes and ideas, etc.
• RL.8.6. Analyze how differences in the points of view of the characters and the audience or reader (e.g., created through the use of dramatic irony) create such effects as suspense or humor.
 Students should be able to identify different types of points of view (first-person, third-person limited, third-person omniscient, etc.) and narrators (reliable, unreliable) within a text or passage.
 Students should be able to demonstrate how the point of view within a text affects the reader and contributes to the overall mood, tone, and overall understanding of the text.
 Students should be able to demonstrate an understanding of how the speaker (reliable or unreliable) can shape a text and how the reader views the characters and/or events of the plot.
 Students should be able to articulate the meaning of and differences between dramatic irony, verbal irony, and situational irony.
 Students should be able to identify the use of irony within a text.
 Students should be able to articulate the effect of irony on the reader or audience, what the author’s intent was by using the irony, and how the irony can be interpreted differently based upon the reader or audience’s background knowledge.
INTEGRATION OF KNOWLEDGE AND IDEAS
• RL.8.7. Analyze the extent to which a filmed or live production of a story or drama stays faithful to or departs from the text or script, evaluating the choices made by the director or actors.
 Schools and/ or teachers should make audio and/or video versions of texts available to students.
 Students should spend time listening to/ viewing an audio, video, or live version of a text.
 Students should be familiar with the differences between a printed text and a visual medium and the effects upon the audience or reader.
 Students should be able to engage in a discussion comparing and contrasting the media version to the print version of a text.
 Students should be able to meaningfully respond to questions comparing and contrasting media versus print versions of a text.
 Students should be able to engage in a meaningful discussion about acting and directing choices, comparing the students’ own views and interpretation of the text to the director’s/actor’s.
• RL.8.8. (Not applicable to literature)
• RL.8.9. Analyze how a modern work of fiction draws on themes, patterns of events, or character types from myths, traditional stories, or religious works such as the Bible, including describing how the material is rendered new.
 Students should be familiar with different forms of fiction (i.e. articles, essays, stories, films, graphic novels, etc.) and genres (i.e. epic, poetry, novel, drama, short stories, etc.) of texts.
 Students should be able to articulate the differences and similarities between a modern story and a works that came before it, i.e. myths, legends, folktales, ancient texts, religious works.
 Students should be able to analyze analogies or allusions to other texts, including the meaning of the analogy or allusion and how it contributes to or helps clarify or support the themes and/or central idea of the text.
 Students should be able to compare and contrast a modern work to a traditional/ancient text to reveal differences in a modern text, including allusions and references to preceding text, style, treatment of themes and ideas, character archetypes, etc.

RANGE OF READING AND LEVEL OF TEXT COMPLEXITY
• RL.8.10. By the end of the year, read and comprehend literature, including stories, dramas, and poems, at the high end of grades 6–8 text complexity band independently and proficiently.
 Students should be exposed to a wide range of fictional texts, including those considered below grade level, on grade level, and above grade level.
 Students should be encouraged to continue choosing higher-level texts, or those that continue to challenge the individual student.
 Students should be able to demonstrate proficiency in the skills outlined in this section.

READING: INFORMATIONAL TEXT
KEY IDEAS AND DETAILS
• RI.8.1. Cite the textual evidence that most strongly supports an analysis of what the text says explicitly as well as inferences drawn from the text.
 Students should demonstrate the ability to read a non-fictional passage or text, understand and articulate what the text directly as well as indirectly states in order to make an assumption about a passage or text as a whole.
 Students should be able to pull and cite the text to support the response.
• RI.8.2. Determine a central idea of a text and analyze its development over the course of the text, including its relationship to supporting ideas; provide an objective summary of the text.
 Students should demonstrate the ability to articulate the central idea(s) of a nonfiction text, providing specifics from the text to support the response.
 Students should be able to articulate how specific characters, setting, and elements of the plot reveal and contribute to the central idea of the text.
 Students should be able to write a summary of the text that is free of bias and personal opinions.
• RI.8.3. Analyze how a text makes connections among and distinctions between individuals, ideas, or events (e.g., through comparisons, analogies, or categories).
 Students should be able to recognize and discuss key individuals (including recognizing those who are main or subordinate individuals) in a text.
 Students should be able to demonstrate an understanding of how key individuals, events, or ideas “come to life” in a text.
 Students should be able to identify and pull examples or quotes that contribute to the overall quality and the reader’s understanding of a text.
 Students should demonstrate the ability to recognize how individuals respond and change in the textual account.
 Students should be able to articulate the effects individual’s decisions have on the events, how the time-period or other factors affects the individuals’ outcome, how individuals interact and affect each other, how the events affect the individuals, etc.
 Students should be able to identify and articulate comparisons between two or more accounts of the life of an individual.
 Students should be able to identify and articulate comparisons between two or more accounts of the same event.
 Students should be able to articulate how the same event affected individuals differently.
CRAFT AND STRUCTURE
• RI.8.4. Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings; analyze the impact of specific word choices on meaning and tone, including analogies or allusions to other texts.
 Students should be able to identify the use of figurative language, i.e. metaphor, simile, personification, imagery, hyperbole, etc. in a text.
 Students should be able to demonstrate the meaning of a word or phrase within the passage, based upon the context clues of the sentence.
 Students should be able to identify shades of meaning of words and phrases.
 Students should be able to demonstrate the ability to recognize and explain the meaning and impact of the meaning of specific word choice on a passage.
 Students should be able to identify the mood and tone of a passage, and the meaning and impact of word choice on the mood and tone of the passage.
 Students should be able to recognize common analogies or well-known allusions to other texts.
 Students should be able to articulate how the use of allusion helps to support the text and illuminate the meaning or idea of a text.
• RI.8.5. Analyze in detail the structure of a specific paragraph in a text, including the role of particular sentences in developing and refining a key concept.
 Students should be familiar with the structure of different types of non-fiction texts, i.e. articles, biographies, essays, autobiographies, reference materials.
 Students should be able to recognize and articulate how a particular section of a text further develops the author’s reason for writing the text, the development of the overall purpose of the text, and how the particular structure contributes to the understanding and enjoyment of the text.
 Students should be able to recognize topic sentences and supporting details within a paragraph, including facts, statistics, anecdotes, allusions, etc. and articulate how the use of these details help to support the point of the paragraph and further the understanding of both the paragraph and the text as a whole.
• RI.8.6. Determine an author’s point of view or purpose in a text and analyze how the author acknowledges and responds to conflicting evidence or viewpoints.
 Students should be able to recognize and define different types of point of view (i.e. first person, third person limited, third person omniscient).
 Students should be able to articulate the purpose of a text, (i.e to inform, to persuade, to entertain).
 Students should be able to recognize and indicate how the point of view affects the reader’s interpretation or understanding of the text.
 Students should be able to recognize words, phrases, and passages that articulate the purpose of the text.
 Students should be able to determine the diction that reveals the author’s viewpoint or purpose.
 Students should be able to articulate how the author’s use of diction, supporting details, construction of a piece, etc. acknowledges and responds to conflicting information or viewpoints from the author’s own.
INTEGRATION OF KNOWLEDGE AND IDEAS
• RI.8.7. Evaluate the advantages and disadvantages of using different mediums (e.g., print or digital text, video, multimedia) to present a particular topic or idea.
 Students should be exposed to information in a variety of formats or media (i.e. charts, graphs, statistics, movies, essays, photos, PowerPoint, websites, etc.)
 Students should be able to synthesize this information to help them articulate understanding of a topic or issue.
 Students should be able to compare and contrast the effectiveness of different types of multimedia formats, including interpretation of the piece and the effect on the audience.
• RI.8.8. Delineate and evaluate the argument and specific claims in a text, assessing whether the reasoning is sound and the evidence is relevant and sufficient; recognize when irrelevant evidence is introduced.
 Students should be familiar with the basics of rhetoric, including intent, ethos, pathos, and logos.
 Students should be familiar with different types of rhetorical devices, such as rhetorical questioning, analogy, allusion, glittering generalities, bandwagon technique, etc.
 Students should be able to recognize and articulate the argument or claims made within a specific text.
 Students should be able to identify and pull specific quotes or passages from a text and explain how the quote or passage contributes to the argument or claim of the text.
 Students should be able to articulate whether a claim has sufficient evidence and reasoning to support it.
• RI.8.9. Analyze a case in which two or more texts provide conflicting information on the same topic and identify where the texts disagree on matters of fact or interpretation.
 Students should be able to compare and contrast the effectiveness of different types of genres and formats of non-fiction texts.
 Students should be able to understand the meaning and purpose behind different types of non-fiction texts, in order to articulate how point of view and purpose contributes to the author’s presentation of events.
 Students should be able to articulate how well an author supported his or her claims in a text, who was more effective, and how the author effectively used rhetoric to win the reader to his or her “side.”
RANGE OF READING AND LEVEL OF TEXT COMPLEXITY
• RI.8.10. By the end of the year, read and comprehend literary nonfiction at the high end of the grades 6–8 text complexity band independently and proficiently.
 Students should be exposed to a wide range of non-fiction texts, including those considered below grade level, on grade level, and above grade level.
 Students should be encouraged to continue choosing higher-level texts, or those that continue to challenge the individual student.
 Students should be able to demonstrate proficiency in the skills outlined in this section.

WRITING
TEXT TYPES AND PURPOSES
• W.8.1. Write arguments to support claims with clear reasons and relevant evidence.
o Introduce claim(s), acknowledge and distinguish the claim(s) from alternate or opposing claims, and organize the reasons and evidence logically.
o Support claim(s) with logical reasoning and relevant evidence, using accurate, credible sources and demonstrating an understanding of the topic or text.
o Use words, phrases, and clauses to create cohesion and clarify the relationships among claim(s), counterclaims, reasons, and evidence.
o Establish and maintain a formal style.
o Provide a concluding statement or section that follows from and supports the argument presented.
• W.8.2. Write informative/explanatory texts to examine a topic and convey ideas, concepts, and information through the selection, organization, and analysis of relevant content.
o Introduce a topic clearly, previewing what is to follow; organize ideas, concepts, and information into broader categories; include formatting (e.g., headings), graphics (e.g., charts, tables), and multimedia when useful to aiding comprehension.
o Develop the topic with relevant, well-chosen facts, definitions, concrete details, quotations, or other information and examples.
o Use appropriate and varied transitions to create cohesion and clarify the relationships among ideas and concepts.
o Use precise language and domain-specific vocabulary to inform about or explain the topic.
o Establish and maintain a formal style.
o Provide a concluding statement or section that follows from and supports the information or explanation presented.
• W.8.3. Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences.
o Engage and orient the reader by establishing a context and point of view and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically.
o Use narrative techniques, such as dialogue, pacing, description, and reflection, to develop experiences, events, and/or characters.
o Use a variety of transition words, phrases, and clauses to convey sequence, signal shifts from one time frame or setting to another, and show the relationships among experiences and events.
o Use precise words and phrases, relevant descriptive details, and sensory language to capture the action and convey experiences and events.
o Provide a conclusion that follows from and reflects on the narrated experiences or events.
PRODUCTION AND DISTRIBUTION OF WRITING
• W.8.4. Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.)
• W.8.5. With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on how well purpose and audience have been addressed.
• W.8.6. Use technology, including the Internet, to produce and publish writing and present the relationships between information and ideas efficiently as well as to interact and collaborate with others.
RESEARCH TO BUILD AND PRESENT KNOWLEDGE
• W.8.7. Conduct short research projects to answer a question (including a self-generated question), drawing on several sources and generating additional related, focused questions that allow for multiple avenues of exploration.
 Students must have access to a variety of print and digital sources.
 Students should be able to generate a variety of research questions and be able to narrow down to one specific, researchable research question.
 Students should then be able to use the research question to guide their print and digital search, while generating additional relevant research questions in the process.
• W.8.8. Gather relevant information from multiple print and digital sources, using search terms effectively; assess the credibility and accuracy of each source; and quote or paraphrase the data and conclusions of others while avoiding plagiarism and following a standard format for citation.
 Students should be able to identify and gather quotes and data that helps contribute to the research topic or question.
 Students should be able to use search engines such as Google, Yahoo, and others to help gather and filter information for use in a research report.
 Students should be able to accurately assess the credibility of a source, either in print or digital format.
 Students should be familiar with the idea of plagiarism and how to avoid it.
 Students should be able to create a bibliography of information or sources based upon their research.
 Students should be familiar with the rules and guidelines of the Modern Language Association (MLA) or American Psychological Association (APA).
 Students should be able to insert citations and create a bibliography of research using the MLA or APA format.
• W.8.9. Draw evidence from literary or informational texts to support analysis, reflection, and research.
o Apply grade 8 Reading standards to literature (e.g., “Analyze how a modern work of fiction draws on themes, patterns of events, or character types from myths, traditional stories, or religious works such as the Bible, including describing how the material is rendered new”).
o Apply grade 8 Reading standards to literary nonfiction (e.g., “Delineate and evaluate the argument and specific claims in a text, assessing whether the reasoning is sound and the evidence is relevant and sufficient; recognize when irrelevant evidence is introduced”).
RANGE OF WRITING
• W.8.10. Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two.

SPEAKING AND LISTENING
COMPREHENSION AND COLLABORATION
• SL.8.1. Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grade 8 topics, texts, and issues, building on others’ ideas and expressing their own clearly.
o Come to discussions prepared, having read or researched material under study; explicitly draw on that preparation by referring to evidence on the topic, text, or issue to probe and reflect on ideas under discussion.
o Follow rules for collegial discussions and decision-making, track progress toward specific goals and deadlines, and define individual roles as needed.
o Pose questions that connect the ideas of several speakers and respond to others’ questions and comments with relevant evidence, observations, and ideas.
o Acknowledge new information expressed by others, and, when warranted, qualify or justify their own views in light of the evidence presented.
• SL.8.2. Analyze the purpose of information presented in diverse media and formats (e.g., visually, quantitatively, orally) and evaluate the motives (e.g., social, commercial, political) behind its presentation.
 Students should be able to gather information from several sources, print and digital, about a particular topic.
 Students should be able to synthesize the information and present it in different formats (i.e. PowerPoint, website, oral presentation, graph, chart, digital short, WebQuest, etc.)
 Students should observe and evaluate other students’ presentations and be able to articulate the main points and purpose of the presentation.
• SL.8.3. Delineate a speaker’s argument and specific claims, evaluating the soundness of the reasoning and relevance and sufficiency of the evidence and identifying when irrelevant evidence is introduced.
 Students should be able to recognize and articulate a speaker’s argument or claim.
 Students should be able to articulate how a speaker’s claims and arguments contribute to the believability of a text.
 Students should be able to identify reasons and evidence to support a speaker’s argument or claim.
 Students should be able to recognize irrelevant or inconsequential evidence or support.
PRESENTATION OF KNOWLEDGE AND IDEAS
• SL.8.4. Present claims and findings, emphasizing salient points in a focused, coherent manner with relevant evidence, sound valid reasoning, and well-chosen details; use appropriate eye contact, adequate volume, and clear pronunciation.
 Students should be able to gather and organize their claims and findings for a research project.
 Students should be able to present their claims and findings in an organized visual format, such as an oral presentation using a poster with images, facts, and details to visually represent findings.
 Students should be able to present this information in a clear and succinct manner, using good eye contact, correct volume and clear pronunciation.
• SL.8.5. Integrate multimedia and visual displays into presentations to clarify information, strengthen claims and evidence, and add interest.
 Students should be able to present their claims and findings in an organized visual format, such as a PowerPoint presentation (using graphics, images, music, sound) with the student giving an oral report, for example.

• SL.8.6. Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.
 Students should be given the opportunity to present a “rough draft” of their work before presenting in class.
 Students should demonstrate the ability to revise and rework the presentation before presenting to the class.
 Students should have a good command of formal English in both written and oral formats.

LANGUAGE
CONVENTIONS OF STANDARD ENGLISH
• L.8.1. Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
o Explain the function of verbals (gerunds, participles, infinitives) in general and their function in particular sentences.
o Form and use verbs in the active and passive voice.
o Form and use verbs in the indicative, imperative, interrogative, conditional, and subjunctive mood.
o Recognize and correct inappropriate shifts in verb voice and mood.*
• L.8.2. Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing.
o Use punctuation (comma, ellipsis, dash) to indicate a pause or break.
o Use an ellipsis to indicate an omission.
o Spell correctly.
KNOWLEDGE OF LANGUAGE
• L.8.3. Use knowledge of language and its conventions when writing, speaking, reading, or listening.
o Use verbs in the active and passive voice and in the conditional and subjunctive mood to achieve particular effects (e.g., emphasizing the actor or the action; expressing uncertainty or describing a state contrary to fact).
VOCABULARY ACQUISITION AND USE
• L.8.4. Determine or clarify the meaning of unknown and multiple-meaning words or phrases based on GRADE 8 READING AND CONTENT, choosing flexibly from a range of strategies.
o Use context (e.g., the overall meaning of a sentence or paragraph; a word’s position or function in a sentence) as a clue to the meaning of a word or phrase.
o Use common, grade-appropriate Greek or Latin affixes and roots as clues to the meaning of a word (e.g., PRECEDE, RECEDE, SECEDE).
o Consult general and specialized reference materials (e.g., dictionaries, glossaries, thesauruses), both print and digital, to find the pronunciation of a word or determine or clarify its precise meaning or its part of speech.
o Verify the preliminary determination of the meaning of a word or phrase (e.g., by checking the inferred meaning in context or in a dictionary).
• L.8.5. Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.
o Interpret figures of speech (e.g. verbal irony, puns) in context.
o Use the relationship between particular words to better understand each of the words.
o Distinguish among the connotations (associations) of words with similar denotations (definitions) (e.g., BULLHEADED, WILLFUL, FIRM, PERSISTENT, RESOLUTE).
• L.8.6. Acquire and use accurately grade-appropriate general academic and domain-specific words and phrases; gather vocabulary knowledge when considering a word or phrase important to comprehension or expression.
 Students should be given a variety of vocabulary activities designed to expose students to unfamiliar words.
 Students should demonstrate the ability to identify vocabulary words and unfamiliar phrases within a text.
 Students should demonstrate the ability to research the meaning of a word and how it is used.
 Students should be supplied with or gather a list of grade-appropriate academic (i.e. common words used in testing—analyze, justify, reiterate, trace), and domain-specific (i.e. subject-specific words such as hypothesis, inference, ratify, ratio) words.
 Students should demonstrate the ability to use these words in the appropriate context.
 Students should be able to gather a personal list of unfamiliar vocabulary words.
 Students should be able to articulate the meaning of unfamiliar words based upon the context clues, connotation, or definition given.
 Students should be able to use previously unfamiliar words in an appropriate and accurate manner.

Annotated Common Core Standards ELA, Grade 7

As promised, I have now completed the Annotated Common Core Standards for Grade 7! Again, I have tried to break some of the more vague standards into bite-sized chunks to help you understand them better, and thus, be able to implement them better.  Some of the standards were already pretty self-explanatory so I left those alone, but wherever you see the boxes are where I have tried to explain or articulate the expectation(s) of the standard.  If you find something particularly confusing, please email me and I will be happy to explain or articulate better, or add an explanation where there was none.  Hope it helps…please be sure to leave feedback; I would love to hear your thoughts!

P.S. For a pretty, printable version you can download for FREE (maybe even laminate as a poster or keep in a binder for reference)!  http://www.teacherspayteachers.com/Product/Annotated-Common-Core-Standards-for-ELA-Grade-7

Note: This project is in no way affiliated with the Common Core Initiative.  The Common Core Initiative was not involved in the production of, and does not endorse, these guidelines.

GRADE 7
COMMON CORE STANDARDS: ENGLISH LANGUAGE ARTS

READING: LITERATURE
KEY IDEAS AND DETAILS
• RL.7.1. Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
 Students should demonstrate the ability to read a fictional passage or text, understand and articulate what the text directly, as well as indirectly states in order to make an assumption about the text.
 Students should be able to identify, extract, and cite the text to support the response.
• RL.7.2. Determine a theme or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text.
 Students should demonstrate the ability to articulate the theme or central idea of a fictional text, providing specifics from the text to support the response.
 Students should be able to write a summary of the text that is free of bias and personal opinions.
• RL.7.3. Analyze how particular elements of a story or drama interact (e.g., how setting shapes the characters or plot).
 Students should be able to describe the elements of plot and describe how a particular story or drama fits into the elements of plot structure.
 Students should demonstrate the ability to recognize how characters respond and change as the plot moves forward.
 Students should be able to articulate the effects characters’ decisions have on the plot, how the setting affects the characters and plot, how characters affect each other, etc.

CRAFT AND STRUCTURE
• RL.7.4. Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of rhymes and other repetitions of sounds (e.g., alliteration) on a specific verse or stanza of a poem or section of a story or drama.
 Students should be able to identify the use of figurative language, i.e. metaphor, simile, personification, imagery, hyperbole, etc. in a text.
 Students should be able to demonstrate the meaning of a word or phrase within the passage, based upon the context clues of the sentence.
 Students should be able to identify shades of meaning of words and phrases.
 Students should be able to indentify rhyme, rhythm, repetition, and sound devices (alliteration, assonance, consonance, cacophony, onomatopoeia, etc.) within a text.
 Students should be able to demonstrate the ability to recognize and explain the meaning and impact of the meaning of specific word choice on a passage.
 Students should be able to articulate how figurative language and sound devices affect the reader and assist in the overall understanding and enjoyment of a text.
 Students should be able to identify the mood and tone of a passage, and the meaning and impact of word choice on the mood and tone of the passage.
• RL.7.5. Analyze how a drama’s or poem’s form or structure (e.g., soliloquy, sonnet) contributes to its meaning.
 Students must be able to identify theme, setting, and elements of plot.
 Students should be able to recognize elements that contribute to the theme, setting and plot within a drama or poem.
 Students should be able to articulate differences between dramatic texts (i.e. comedy, tragedy, historical, etc.).
 Students should be able to articulate the differences between dramatic elements (i.e. monologue, soliloquy, aside, dialogue).
 Students should be able to explain the differences between different types of poetry and poetic structures (i.e. sonnet, limerick, haiku, free verse, etc.).
 Students should be able to clearly articulate the effect of different types of drama and poetry on the audience.
 Students should be able to demonstrate how a particular act, scene, soliloquy, stanza, line, etc. fits into the overall structure of the plot, how it illustrates the theme(s) within the text, and how it creates an atmosphere within the text.
• RL.7.6. Analyze how an author develops and contrasts the points of view of different characters or narrators in a text.
 Students should be able to identify different types of points of view (first-person, third-person limited, third-person omniscient) and narrators (reliable, unreliable) within a text or passage.
 Students should be able to demonstrate how the point of view within a text affects the reader and contributes to the overall mood, tone, and overall understanding of the text.
 Students should be able to demonstrate an understanding of how the speaker (reliable or unreliable) can shape a text and how the reader views the characters and/or events of the plot.
INTEGRATION OF KNOWLEDGE AND IDEAS
• RL.7.7. Compare and contrast a written story, drama, or poem to its audio, filmed, staged, or multimedia version, analyzing the effects of techniques unique to each medium (e.g., lighting, sound, color, or camera focus and angles in a film).
 Schools and/ or teachers should make audio and/or video versions of texts available to students.
 Students should spend time listening to or viewing an audio, video, or live version of a text.
 Students should be familiar with the differences between a printed text and a visual medium, and the effects upon the audience or reader.
 Students should be able to engage in a discussion comparing and contrasting the media version to the print version of a text.
 Students should be able to meaningfully respond to questions comparing and contrasting media versus print versions of a text.
• RL.7.8. (Not applicable to literature)
• RL.7.9. Compare and contrast a fictional portrayal of a time, place, or character and a historical account of the same period as a means of understanding how authors of fiction use or alter history.
 Students should be familiar with different forms of fiction (i.e. articles, essays, stories, films, graphic novels, etc.) and genres (i.e. epic, poetry, novel, drama, short stories, etc.) of texts.
 Students should be able to compare and contrast similar themes and topics across different forms and genres (i.e. comparing a novel to a short story of the same theme, a printed poem to an oral presentation of a poem, an essay to a documentary)
 Students should be able to articulate the differences between a fictional and a non-fictional text that focus on the same period or event(s), i.e. Comparing and contrasting Mildred D. Taylor’s Roll of Thunder, Hear My Cry with the first-person accounts of sharecroppers in the South during the Depression)

RANGE OF READING AND LEVEL OF TEXT COMPLEXITY
• RL.7.10. By the end of the year, read and comprehend literature, including stories, dramas, and poems, in the grades 6–8 text complexity band proficiently, with scaffolding as needed at the high end of the range.
 Students should be exposed to a wide range of fictional texts, including those considered below grade level, on grade level, and above grade level.
 Students should be encouraged to continue choosing higher-level texts, or those that continue to challenge the individual student.
 Students should be able to demonstrate proficiency in the skills outlined in this section.

READING: INFORMATIONAL TEXT
KEY IDEAS AND DETAILS
• RI.7.1. Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
 Students should demonstrate the ability to read a non-fictional passage or text, understand and articulate what the text directly, as well as indirectly states in order to make an assumption about a passage or text as a whole.
 Students should be able to pull and cite the text to support the response.
• RI.7.2. Determine two or more central ideas in a text and analyze their development over the course of the text; provide an objective summary of the text.
 Students should demonstrate the ability to articulate the themes or central ideas of a fictional text, providing specifics from the text to support the response.
 Students should be able to write a summary of the text that is free of bias and personal opinions.
• RI.7.3. Analyze the interactions between individuals, events, and ideas in a text (e.g., how ideas influence individuals or events, or how individuals influence ideas or events).
 Students should be able to recognize and discuss key individuals (including recognizing those who are main or subordinate characters) in a text.
 Students should be able to demonstrate an understanding of how key individuals, events, or ideas “come to life” in a text.
 Students should be able to identify and pull examples or quotes that contribute to the overall quality and the reader’s understanding of a text.
 Students should demonstrate the ability to recognize how characters respond and change in the textual account.
 Students should be able to articulate the effects individual’s decisions have on the events, how the time-period or other factors affects the individuals’ outcome, how individuals interact and affect each other, how the events affect the individuals, etc.

CRAFT AND STRUCTURE
• RI.7.4. Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings; analyze the impact of a specific word choice on meaning and tone.
 Students should be able to identify the use of figurative language, i.e. metaphor, simile, personification, imagery, hyperbole, etc. in a text.
 Students should be able to demonstrate the meaning of a word or phrase within the passage, based upon the context clues of the sentence.
 Students should be able to identify shades of meaning of words and phrases.
 Students should be able to demonstrate the ability to recognize and explain the meaning and impact of the meaning of specific word choice on a passage.
 Students should be able to identify the mood and tone of a passage, and the meaning and impact of word choice on the mood and tone of the passage.
• RI.7.5. Analyze the structure an author uses to organize a text, including how the major sections contribute to the whole and to the development of the ideas.
 Students should be familiar with the structure of different types of non-fiction texts, i.e. articles, biographies, essays, autobiographies, reference materials.
 Students should be able to recognize and articulate how a particular section of a text further develops the author’s reason for writing the text, the development of the overall purpose of the text, and how the particular structure contributes to the understanding and enjoyment of the text.
• RI.7.6. Determine an author’s point of view or purpose in a text and analyze how the author distinguishes his or her position from that of others.
 Students should be able to recognize and define different types of point of view (i.e. first person, third person limited, third person omniscient).
 Students should be able to articulate the purpose of a text, (i.e to inform, to persuade, to entertain).
 Students should be able to recognize and indicate how the point of view affects the reader’s interpretation or understanding of the text.
 Students should be able to recognize words, phrases, and passages that articulate the purpose of the text.
INTEGRATION OF KNOWLEDGE AND IDEAS
• RI.7.7. Compare and contrast a text to an audio, video, or multimedia version of the text, analyzing each medium’s portrayal of the subject (e.g., how the delivery of a speech affects the impact of the words).
 Students should be exposed to information in a variety of formats or media (i.e. charts, graphs, statistics, movies, essays, photos, PowerPoint, websites, etc.)
 Students should be able to synthesize this information to help them articulate understanding of a topic or issue.
 Students should be able to compare and contrast the effectiveness of different types of multimedia formats.
 Students should be familiar with the basics of rhetoric, including intent, ethos, pathos, and logos.
 Students should be familiar with different types of rhetorical devices, such as rhetorical questioning, glittering generalities, bandwagon technique, etc.
• RI.7.8. Trace and evaluate the argument and specific claims in a text, assessing whether the reasoning is sound and the evidence is relevant and sufficient to support the claims.
 Students should be able to recognize and articulate the argument or claims made within a specific text.
 Students should be able to identify and pull specific quotes or passages from a text and explain how the quote or passage contributes to the argument or claim of the text.
 Students should be able to articulate whether a claim has sufficient evidence and reasoning to support it.
• RI.7.9. Analyze how two or more authors writing about the same topic shape their presentations of key information by emphasizing different evidence or advancing different interpretations of facts.
 Students should be able to compare and contrast the effectiveness of different types of genres and formats of non-fiction texts.
 Students should be able to understand the meaning and purpose behind different types of non-fiction texts, in order to articulate how point of view and purpose contributes to the author’s presentation of events.
 Students should be able to articulate how well an author supported his or her claims in a text, who was more effective, and how the author effectively used rhetoric to win the reader to his or her “side.”

RANGE OF READING AND LEVEL OF TEXT COMPLEXITY
• RI.7.10. By the end of the year, read and comprehend literary nonfiction in the grades 6–8 text complexity band proficiently, with scaffolding as needed at the high end of the range.
 Students should be exposed to a wide range of non-fiction texts, including those considered below grade level, on grade level, and above grade level.
 Students should be encouraged to continue choosing higher-level texts, or those that continue to challenge the individual student.
 Students should be able to demonstrate proficiency in the skills outlined in this section.

WRITING
TEXT TYPES AND PURPOSES
• W.7.1. Write arguments to support claims with clear reasons and relevant evidence.
o Introduce claim(s), acknowledge alternate or opposing claims, and organize the reasons and evidence logically.
o Support claim(s) with logical reasoning and relevant evidence, using accurate, credible sources and demonstrating an understanding of the topic or text.
o Use words, phrases, and clauses to create cohesion and clarify the relationships among claim(s), reasons, and evidence.
o Establish and maintain a formal style.
o Provide a concluding statement or section that follows from and supports the argument presented.
• W.7.2. Write informative/explanatory texts to examine a topic and convey ideas, concepts, and information through the selection, organization, and analysis of relevant content.
o Introduce a topic clearly, previewing what is to follow; organize ideas, concepts, and information, using strategies such as definition, classification, comparison/contrast, and cause/effect; include formatting (e.g., headings), graphics (e.g., charts, tables), and multimedia when useful to aiding comprehension.
o Develop the topic with relevant facts, definitions, concrete details, quotations, or other information and examples.
o Use appropriate transitions to create cohesion and clarify the relationships among ideas and concepts.
o Use precise language and domain-specific vocabulary to inform about or explain the topic.
o Establish and maintain a formal style.
o Provide a concluding statement or section that follows from and supports the information or explanation presented.
• W.7.3. Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences.
o Engage and orient the reader by establishing a context and point of view and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically.
o Use narrative techniques, such as dialogue, pacing, and description, to develop experiences, events, and/or characters.
o Use a variety of transition words, phrases, and clauses to convey sequence and signal shifts from one time frame or setting to another.
o Use precise words and phrases, relevant descriptive details, and sensory language to capture the action and convey experiences and events.
o Provide a conclusion that follows from and reflects on the narrated experiences or events.
PRODUCTION AND DISTRIBUTION OF WRITING
• W.7.4. Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.)
• W.7.5. With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on how well purpose and audience have been addressed.
• W.7.6. Use technology, including the Internet, to produce and publish writing and link to and cite sources as well as to interact and collaborate with others, including linking to and citing sources.
RESEARCH TO BUILD AND PRESENT KNOWLEDGE
• W.7.7. Conduct short research projects to answer a question, drawing on several sources and generating additional related, focused questions for further research and investigation.
 Students must have access to a variety of print and digital sources.
 Students should be able to generate a variety of research question and be able to narrow down to one specific, researchable research question.
 Students should then be able to use the research question to guide their print and digital search, while generating additional relevant research questions in the process.
• W.7.8. Gather relevant information from multiple print and digital sources, using search terms effectively; assess the credibility and accuracy of each source; and quote or paraphrase the data and conclusions of others while avoiding plagiarism and following a standard format for citation.
 Students should be able to identify and gather quotes and data that helps contribute to the research topic or question.
 Students should be able to use search engines such as Google, Yahoo, and others to help gather and filter information for use in a research report.
 Students should be able to accurately assess the credibility of a source, either in print or digital format.
 Students should be familiar with the idea of plagiarism and how to avoid it.
 Students should be able to create a bibliography of information or sources based upon their research.
• W.7.9. Draw evidence from literary or informational texts to support analysis, reflection, and research.
o Apply grade 7 Reading standards to literature (e.g., “Compare and contrast a fictional portrayal of a time, place, or character and a historical account of the same period as a means of understanding how authors of fiction use or alter history”).
o Apply grade 7 Reading standards to literary nonfiction (e.g. “Trace and evaluate the argument and specific claims in a text, assessing whether the reasoning is sound and the evidence is relevant and sufficient to support the claims”).

RANGE OF WRITING
• W.7.10. Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of discipline-specific tasks, purposes, and audiences.

SPEAKING AND LISTENING
COMPREHENSION AND COLLABORATION
• SL.7.1. Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grade 7 topics, texts, and issues, building on others’ ideas and expressing their own clearly.
o Come to discussions prepared, having read or researched material under study; explicitly draw on that preparation by referring to evidence on the topic, text, or issue to probe and reflect on ideas under discussion.
o Follow rules for collegial discussions, track progress toward specific goals and deadlines, and define individual roles as needed.
o Pose questions that elicit elaboration and respond to others’ questions and comments with relevant observations and ideas that bring the discussion back on topic as needed.
o Acknowledge new information expressed by others and, when warranted, modify their own views.
• SL.7.2. Analyze the main ideas and supporting details presented in diverse media and formats (e.g., visually, quantitatively, orally) and explain how the ideas clarify a topic, text, or issue under study.
 Students should be able to gather information about a particular topic.
 Students should be able to synthesize the information and present it in different formats (i.e. PowerPoint, website, oral presentation, graph, chart, digital short, WebQuest, etc.)
• SL.7.3. Delineate a speaker’s argument and specific claims, evaluating the soundness of the reasoning and the relevance and sufficiency of the evidence.
 Students should be able to recognize and articulate a speaker’s argument or claim.
 Students should be able to articulate how a speaker’s claims and arguments contribute to the believability of a text.
 Students should be able to identify reasons and evidence to support a speaker’s argument or claim.

PRESENTATION OF KNOWLEDGE AND IDEAS
• SL.7.4. Present claims and findings, emphasizing salient points in a focused, coherent manner with pertinent descriptions, facts, details, and examples; use appropriate eye contact, adequate volume, and clear pronunciation.
 Students should be able to gather and organize their claims and findings for a research project.
 Students should be able to present their claims and findings in an organized visual format, such as an oral presentation using a poster with images, facts, and details to visually represent findings.
 Students should be able to present this information in a clear and succinct manner, using good eye contact, correct volume and clear pronunciation.
• SL.7.5. Include multimedia components and visual displays in presentations to clarify claims and findings and emphasize salient points.
 Students should be able to present their claims and findings in an organized visual format, such as a PowerPoint presentation (using graphics, images, music, sound) with the student giving an oral report, for example.
• SL.7.6. Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.
 Students should be given the opportunity to present a “rough draft” of their work before presenting in class.
 Students should demonstrate the ability to revise and rework the presentation before presenting to the class.

LANGUAGE
CONVENTIONS OF STANDARD ENGLISH
• L.7.1. Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
o Explain the function of phrases and clauses in general and their function in specific sentences.
o Choose among simple, compound, complex, and compound-complex sentences to signal differing relationships among ideas.
o Place phrases and clauses within a sentence, recognizing and correcting misplaced and dangling modifiers.*
• L.7.2. Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing.
o Use a comma to separate coordinate adjectives (e.g., IT WAS A FASCINATING, ENJOYABLE MOVIE but not HE WORE AN OLD[,] GREEN SHIRT).
o Spell correctly.
KNOWLEDGE OF LANGUAGE
• L.7.3. Use knowledge of language and its conventions when writing, speaking, reading, or listening.
o Choose language that expresses ideas precisely and concisely, recognizing and eliminating wordiness and redundancy.*
VOCABULARY ACQUISITION AND USE
• L.7.4. Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on GRADE 7 READING AND CONTENT, choosing flexibly from a range of strategies.
o Use context (e.g., the overall meaning of a sentence or paragraph; a word’s position or function in a sentence) as a clue to the meaning of a word or phrase.
o Use common, grade-appropriate Greek or Latin affixes and roots as clues to the meaning of a word (e.g., BELLIGERENT, BELLICOSE, REBEL).
o Consult general and specialized reference materials (e.g., dictionaries, glossaries, thesauruses), both print and digital, to find the pronunciation of a word or determine or clarify its precise meaning or its part of speech.
o Verify the preliminary determination of the meaning of a word or phrase (e.g., by checking the inferred meaning in context or in a dictionary).
• L.7.5. Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.
o Interpret figures of speech (e.g., literary, biblical, and mythological allusions) in context.
o Use the relationship between particular words (e.g., synonym/antonym, analogy) to better understand each of the words.
o Distinguish among the connotations (associations) of words with similar denotations (definitions) (e.g., REFINED, RESPECTFUL, POLITE, DIPLOMATIC, CONDESCENDING).
• L.7.6. Acquire and use accurately grade-appropriate general academic and domain-specific words and phrases; gather vocabulary knowledge when considering a word or phrase important to comprehension or expression.
 Students should be given a variety of vocabulary activities designed to expose students to unfamiliar words.
 Students should demonstrate the ability to identify vocabulary words and unfamiliar phrases within a text.
 Students should demonstrate the ability to research the meaning of a word and how it is used.
 Students should be supplied with or gather a list of grade-appropriate academic (i.e. common words used in testing—analyze, justify, reiterate, trace), and domain-specific (i.e. subject-specific words such as hypothesis, inference, ratify, ratio) words.
 Students should demonstrate the ability to use these words in the appropriate context.
 Students should be able to gather a personal list of unfamiliar vocabulary words.
 Students should be able to articulate the meaning of unfamiliar words based upon the context clues, connotation, or definition given.
 Students should be able to use previously unfamiliar words in an appropriate and accurate manner.

Annotated Common Core Standards ELA, Grade 6

Are you confused or overwhelmed by the Common Core Standards for English Language Arts?  You’re not alone.  I have taken some time to annotate the Common Core standards for ELA in order to help you feel, well…not so overwhelmed, or lost, or alone!  I have tried to break some of the more vague standards into bite-sized chunks to help you understand them better–and thus, be able to implement them better.  Some of the standards were already pretty self-explanatory so I left those alone, but wherever you see the boxes are where I have tried to explain or articulate the expectation(s) of the standard.  If you find something particularly confusing, please email me and I will be happy to explain or articulate better, or add an explanation where there was none.  Hope it helps…please be sure to leave feedback–I would love to hear your thoughts!

Note: This project is in no way affiliated with the Common Core Initiative.  The Common Core Initiative was not involved in the production of, and does not endorse, these guidelines.

P.S. For a pretty, printable version you can download for FREE (maybe even laminate as a poster or keep in a binder for reference)!  http://www.teacherspayteachers.com/Product/Annotated-Common-Core-Standards-for-ELA-Grade-6

GRADE 6
COMMON CORE STANDARDS: ENGLISH LANGUAGE ARTS

READING: LITERATURE
KEY IDEAS AND DETAILS
• RL.6.1. Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
 Students should demonstrate the ability to read a fictional passage or text, understand and articulate what the text directly, as well as indirectly states in order to make an assumption.
 Students should be able to identify, extract, and cite the text to support the response.
• RL.6.2. Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.
 Students should demonstrate the ability to articulate the theme or central idea of a fictional text, providing specifics from the text to support the response.
 Students should be able to write a summary of the text that is free of bias and personal opinions.
• RL.6.3. Describe how a particular story’s or drama’s plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.
 Students should be able to describe the elements of plot and describe how a particular story fits into the elements of plot structure.
 Students should demonstrate the ability to recognize how characters respond and change as the plot moves forward.
CRAFT AND STRUCTURE
• RL.6.4. Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone.
 Students should be able to identify the use of figurative language, i.e. metaphor, simile, personification, imagery, hyperbole, etc. in a text.
 Students should be able to demonstrate the meaning of a word or phrase within the passage, based upon the context clues of the sentence.
 Students should be able to identify shades of meaning of words and phrases.
 Students should be able to demonstrate the ability to recognize and explain the meaning and impact of the meaning of specific word choice on a passage.
 Students should be able to identify the mood and tone of a passage, and the meaning and impact of word choice on the mood and tone of the passage.
• RL.6.5. Analyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot.
 Students must be able to identify theme, setting, and elements of plot.
 Students should be able to recognize elements that contribute to the theme, setting and plot within a text.
 Students should be able to demonstrate how a particular sentence, chapter, scene, or stanza fits into the overall structure of the plot, how it illustrates the theme(s) within the text, and how it creates an atmosphere within the text.
• RL.6.6. Explain how an author develops the point of view of the narrator or speaker in a text.
 Students should be able to identify different types of points of view (first-person, third-person limited, third-person omniscient) and speakers (reliable, unreliable) within a text or passage.
 Students should be able to demonstrate how the point of view within a text affects the reader and contributes to the overall mood, tone, and overall understanding of the text.
 Students should be able to demonstrate an understanding of how the speaker (reliable or unreliable) can shape a text and how the reader views the characters and/or events of the plot.
INTEGRATION OF KNOWLEDGE AND IDEAS
• RL.6.7. Compare and contrast the experience of reading a story, drama, or poem to listening to or viewing an audio, video, or live version of the text, including contrasting what they “see” and “hear” when reading the text to what they perceive when they listen or watch.
 Schools and/ or teachers should make audio and/or video versions of texts available to students.
 Students should spend time listening to or viewing an audio, video, or live version of a text.
 Students should be able to engage in a discussion comparing and contrasting the media version to the print version of a text.
 Students should be able to meaningfully respond to questions comparing and contrasting media versus print versions of a text.
• RL.6.8. (Not applicable to literature)
• RL.6.9. Compare and contrast texts in different forms or genres (e.g., stories and poems; historical novels and fantasy stories) in terms of their approaches to similar themes and topics.
 Students should be familiar with different forms (i.e. articles, essays, stories, films, graphic novels, etc.) and genres (i.e. epic, poetry, novel, drama, short stories, etc.) of texts.
 Students should be able to compare and contrast similar themes and topics across different forms and genres (i.e. comparing a novel to a short story of the same theme, a printed poem to an oral presentation of a poem, an essay to a documentary)
RANGE OF READING AND LEVEL OF TEXT COMPLEXITY
• RL.6.10. By the end of the year, read and comprehend literature, including stories, dramas, and poems, in the grades 6–8 text complexity band proficiently, with scaffolding as needed at the high end of the range.
 Students should be exposed to a wide range of fictional texts, including those considered below grade level, on grade level, and above grade level.
 Students should be encouraged to continue choosing higher-level texts, or those that continue to challenge the individual student.
 Students should be able to demonstrate proficiency in the skills outlined in this section.

READING: INFORMATIONAL TEXT
KEY IDEAS AND DETAILS
• RI.6.1. Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
 Students should demonstrate the ability to read a non-fictional passage or text, understand and articulate what the text directly states, as well as indirectly states in order to make an inference.
 Students should be able to pull and cite the text to support the response.
• RI.6.2. Determine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.
 Students should demonstrate the ability to articulate the theme or central idea of a fictional text, providing specifics from the text to support the response.
 Students should be able to write a summary of the text that is free of bias and personal opinions.
• RI.6.3. Analyze in detail how a key individual, event, or idea is introduced, illustrated, and elaborated in a text (e.g., through examples or anecdotes).
 Students should be able to recognize and discuss key individuals in a text.
 Students should be able to demonstrate an understanding of how key individuals, events, or ideas “come to life” in a text.
 Students should be able to identify and pull examples or quotes that contribute to the overall quality and the reader’s understanding of a text.

CRAFT AND STRUCTURE
• RI.6.4. Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings.
 Students should be able to identify the use of figurative language, i.e. metaphor, simile, personification, imagery, hyperbole, etc. in a text.
 Students should be able to demonstrate the meaning of a word or phrase within the passage, based upon the context clues of the sentence.
 Students should be able to identify shades of meaning of words and phrases.
 Students should be able to demonstrate the ability to recognize and explain the meaning and impact of the meaning of specific word choice on a passage.
 Students should be able to identify the mood and tone of a passage, and the meaning and impact of word choice on the mood and tone of the passage.
• RI.6.5. Analyze how a particular sentence, paragraph, chapter, or section fits into the overall structure of a text and contributes to the development of the ideas.
 Students should be familiar with the structure of different types of non-fiction texts, i.e. articles, biographies, essays, autobiographies, reference materials.
 Students should be able to recognize and articulate how a particular section of a text further develops the author’s reason for writing the text, the development of the overall purpose of the text, and how the particular structure contributes to the understanding and enjoyment of the text.
• RI.6.6. Determine an author’s point of view or purpose in a text and explain how it is conveyed in the text.
 Students should be able to recognize and define different types of point of view (i.e. first person, third person limited, third person omniscient).
 Students should be able to articulate the purpose of a text, (i.e to inform, to persuade, to entertain).
 Students should be able to recognize and indicate how the point of view affects the reader’s interpretation or understanding of the text.
 Students should be able to recognize words, phrases, and passages that articulate the purpose of the text.

INTEGRATION OF KNOWLEDGE AND IDEAS
• RI.6.7. Integrate information presented in different media or formats (e.g., visually, quantitatively) as well as in words to develop a coherent understanding of a topic or issue.
 Students should be exposed to information in a variety of formats or media (i.e. charts, graphs, statistics, movies, essays, photos, PowerPoint, websites, etc.)
 Students should be able to synthesize this information to help them articulate understanding of a topic or issue.
 Students should be able to compare and contrast the effectiveness of different types of multimedia formats.
• RI.6.8. Trace and evaluate the argument and specific claims in a text, distinguishing claims that are supported by reasons and evidence from claims that are not.
 Students should be able to recognize and articulate the argument or claims made within a specific text.
 Students should be able to identify and pull specific quotes or passages from a text and explain how the quote or passage contributes to the argument or claim of the text.
• RI.6.9. Compare and contrast one author’s presentation of events with that of another (e.g., a memoir written by and a biography on the same person).
 Students should be able to compare and contrast the effectiveness of different types of genres and formats of non-fiction texts.
 Students should be able to understand the meaning and purpose behind different types of non-fiction texts, in order to articulate how point of view and purpose contributes to the author’s presentation of events.

RANGE OF READING AND LEVEL OF TEXT COMPLEXITY
• RI.6.10. By the end of the year, read and comprehend literary nonfiction in the grades 6–8 text complexity band proficiently, with scaffolding as needed at the high end of the range.
 Students should be exposed to a wide range of non-fiction texts, including those considered below grade level, on grade level, and above grade level.
 Students should be encouraged to continue choosing higher-level texts, or those that continue to challenge the individual student.
 Students should be able to demonstrate proficiency in the skills outlined in this section.

WRITING
TEXT TYPES AND PURPOSES
• W.6.1. Write arguments to support claims with clear reasons and relevant evidence.
o Introduce claim(s) and organize the reasons and evidence clearly.
o Support claim(s) with clear reasons and relevant evidence, using credible sources and demonstrating an understanding of the topic or text.
o Use words, phrases, and clauses to clarify the relationships among claim(s) and reasons.
o Establish and maintain a formal style.
o Provide a concluding statement or section that follows from the argument presented.
• W.6.2. Write informative/explanatory texts to examine a topic and convey ideas, concepts, and information through the selection, organization, and analysis of relevant content.
o Introduce a topic; organize ideas, concepts, and information, using strategies such as definition, classification, comparison/contrast, and cause/effect; include formatting (e.g., headings), graphics (e.g., charts, tables), and multimedia when useful to aiding comprehension.
o Develop the topic with relevant facts, definitions, concrete details, quotations, or other information and examples.
o Use appropriate transitions to clarify the relationships among ideas and concepts.
o Use precise language and domain-specific vocabulary to inform about or explain the topic.
o Establish and maintain a formal style.
o Provide a concluding statement or section that follows from the information or explanation presented.
• W.6.3. Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences.
o Engage and orient the reader by establishing a context and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically.
o Use narrative techniques, such as dialogue, pacing, and description, to develop experiences, events, and/or characters.
o Use a variety of transition words, phrases, and clauses to convey sequence and signal shifts from one time frame or setting to another.
o Use precise words and phrases, relevant descriptive details, and sensory language to convey experiences and events.
o Provide a conclusion that follows from the narrated experiences or events.
PRODUCTION AND DISTRIBUTION OF WRITING
• W.6.4. Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.)
• W.6.5. With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach.
• W.6.6. Use technology, including the Internet, to produce and publish writing as well as to interact and collaborate with others; demonstrate sufficient command of keyboarding skills to type a minimum of three pages in a single sitting.
RESEARCH TO BUILD AND PRESENT KNOWLEDGE
• W.6.7. Conduct short research projects to answer a question, drawing on several sources and refocusing the inquiry when appropriate.
• W.6.8. Gather relevant information from multiple print and digital sources; assess the credibility of each source; and quote or paraphrase the data and conclusions of others while avoiding plagiarism and providing basic bibliographic information for sources.
 Students must have access to a variety of print and digital sources.
 Students should be able to accurately assess the credibility of a source, either in print or digital format.
 Students should be able to identify and gather quotes and data that helps contribute to the research topic or question.
 Students should be familiar with the idea of plagiarism and how to avoid it.
 Students should be able to create a bibliography of information or sources based upon their research.
• W.6.9. Draw evidence from literary or informational texts to support analysis, reflection, and research.
o Apply grade 6 Reading standards to literature (e.g., “Compare and contrast texts in different forms or genres [e.g., stories and poems; historical novels and fantasy stories] in terms of their approaches to similar themes and topics”).
o Apply grade 6 Reading standards to literary nonfiction (e.g., “Trace and evaluate the argument and specific claims in a text, distinguishing claims that are supported by reasons and evidence from claims that are not”).

RANGE OF WRITING
• W.6.10. Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of discipline-specific tasks, purposes, and audiences.

SPEAKING AND LISTENING
COMPREHENSION AND COLLABORATION
• SL.6.1. Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grade 6 topics, texts, and issues, building on others’ ideas and expressing their own clearly.
o Come to discussions prepared, having read or studied required material; explicitly draw on that preparation by referring to evidence on the topic, text, or issue to probe and reflect on ideas under discussion.
o Follow rules for collegial discussions, set specific goals and deadlines, and define individual roles as needed.
o Pose and respond to specific questions with elaboration and detail by making comments that contribute to the topic, text, or issue under discussion.
o Review the key ideas expressed and demonstrate understanding of multiple perspectives through reflection and paraphrasing.
• SL.6.2. Interpret information presented in diverse media and formats (e.g., visually, quantitatively, orally) and explain how it contributes to a topic, text, or issue under study.
 Students should be able to gather information about a particular topic.
 Students should be able to synthesize the information and present it in different formats (i.e. PowerPoint, website, oral presentation, graph, chart, digital short, WebQuest, etc.)
• SL.6.3. Delineate a speaker’s argument and specific claims, distinguishing claims that are supported by reasons and evidence from claims that are not.
 Students should be able to demonstrate an understanding of how a speaker contributes to the believability of a text.
 Students should be able to recognize and articulate a speaker’s argument or claim.
 Students should be able to identify reasons and evidence to support a speaker’s argument or claim.

PRESENTATION OF KNOWLEDGE AND IDEAS
• SL.6.4. Present claims and findings, sequencing ideas logically and using pertinent descriptions, facts, and details to accentuate main ideas or themes; use appropriate eye contact, adequate volume, and clear pronunciation.
 Students should be able to gather and organize their claims and findings for a research project.
 Students should be able to present their claims and findings in an organized visual format, such as an oral presentation using a poster with images, facts, and details to visually represent findings.
 Students should be able to present this information in a clear and succinct manner, using good eye contact, correct volume and clear pronunciation.
• SL.6.5.. Include multimedia components (e.g., graphics, images, music, sound) and visual displays in presentations to clarify information.
 Students should be able to present their claims and findings in an organized visual format, such as a PowerPoint presentation (using graphics, images, music, sound) with the student giving an oral report, for example.
• SL.6.6. Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.
 Students should be given the opportunity to present a “rough draft” of their work before presenting.
 Students should demonstrate the ability to revise and rework the presentation before presenting to the class.

LANGUAGE
CONVENTIONS OF STANDARD ENGLISH
• L.6.1. Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
o Ensure that pronouns are in the proper case (subjective, objective, possessive).
o Use intensive pronouns (e.g., MYSELF, OURSELVES).
o Recognize and correct inappropriate shifts in pronoun number and person.*
o Recognize and correct vague pronouns (i.e., ones with unclear or ambiguous antecedents).*
o Recognize variations from standard English in their own and others’ writing and speaking, and identify and use strategies to improve expression in conventional language.*
• L.6.2. Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing.
o Use punctuation (commas, parentheses, dashes) to set off nonrestrictive/parenthetical elements.*
o Spell correctly.
KNOWLEDGE OF LANGUAGE
• L.6.3. Use knowledge of language and its conventions when writing, speaking, reading, or listening.
o Vary sentence patterns for meaning, reader/listener interest, and style.*
o Maintain consistency in style and tone.*
VOCABULARY ACQUISITION AND USE
• L.6.4. Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grade 6 reading and content, choosing flexibly from a range of strategies.
o Use context (e.g., the overall meaning of a sentence or paragraph; a word’s position or function in a sentence) as a clue to the meaning of a word or phrase.
o Use common, grade-appropriate Greek or Latin affixes and roots as clues to the meaning of a word (e.g., AUDIENCE, AUDITORY, AUDIBLE).
o Consult reference materials (e.g., dictionaries, glossaries, thesauruses), both print and digital, to find the pronunciation of a word or determine or clarify its precise meaning or its part of speech.
o Verify the preliminary determination of the meaning of a word or phrase (e.g., by checking the inferred meaning in context or in a dictionary).
• L.6.5. Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.
o Interpret figures of speech (e.g., personification) in context.
o Use the relationship between particular words (e.g., cause/effect, part/whole, item/category) to better understand each of the words.
o Distinguish among the connotations (associations) of words with similar denotations (definitions) (e.g., STINGY, SCRIMPING, ECONOMICAL, UNWASTEFUL, THRIFTY).
• L.6.6. Acquire and use accurately grade-appropriate general academic and domain-specific words and phrases; gather vocabulary knowledge when considering a word or phrase important to comprehension or expression.
 Students should be given a variety of vocabulary activities designed to expose students to unfamiliar words.
 Students should demonstrate the ability to identify vocabulary words and unfamiliar phrases within a text.
 Students should demonstrate the ability to research the meaning of a word and how it is used.
 Students should be supplied with or gather a list of grade-appropriate academic (i.e. common words used in testing—analyze, justify, reiterate, trace), and domain-specific (i.e. subject-specific words such as hypothesis, inference, ratify, ratio) words.
 Students should demonstrate the ability to use these words in the appropriate context.
 Students should be able to gather a personal list of unfamiliar vocabulary words.
 Students should be able to articulate the meaning of unfamiliar words based upon the context clues, connotation, or definition given.
 Students should be able to use previously unfamiliar words in an appropriate and accurate manner.

Do you have everything for your Back to School Teacher Survival Kit? 30 things you should not go back to school without!

For those of you who are not on Pinterest (where I have a visual collection of this list at www.pinterest.com/sec_solutions), I decided to post the list here.  This is a list of everything the new (or veteran) teacher should have in his/her classroom.  

Here’s our Practical Teacher Survival Kit…in no particular order (thanks to all who contributed!)

  1. Some kind of crate or storage box to keep everything in
  2. Advil or other headache medicine
  3. Ice Pack (so kids don’t have to leave your class to go to the office)
  4. Band-Aids (for the same reason)
  5. Throat Lozenges (remember, you talk a lot throughout the day and those kids are germ-mongers)
  6. Tampons (for you and students)
  7. Deodorant (it’s not just the kids who can get “funky”)
  8. Hair bands or hair clip
  9. Chocolate (need I say more?)
  10. A lightweight sweater (for those times when you can’t control the A/C)
  11. Safety pins (in case of wardrobe malfunction)
  12. Gas-X (for “those” times)
  13. Chewable Pepto-Bismol 
  14. Tums
  15. Flashlight (emergencies)
  16. Screwdriver (the kind that can be switched from phillips to flat-head)
  17. Box of Kleenex
  18. Jar of coins (for those days when you or a student forgets lunch or lunch money)
  19. Granola bars 
  20. Hand sanitizer (keep out of view of students, unless you are willing to share)
  21. Water 
  22. Hand lotion
  23. Brush and hairspray
  24. Latex gloves
  25. Blister band-aids or moleskin
  26. Mouthwash, Listerine strips, or Altoids
  27. Chapstick or other lip stuff (I like Burt’s Bees)
  28. Travel toothbrush and toothpaste
  29. Candy, stickers (for primary), homework passes or other reward for students who surprise you by being/doing something great!
  30. A binder or file full of filler activities (for those times when you are caught off-guard with an extra five minutes in class)

Have other ideas? Let’s keep on adding!  I would love to hear your recommendations.

What Does Plagiarism Look Like? 10 Free Resources to help you develop your own Plagiarism Policy, educate yourself and your students, and detect unoriginal work

 I will never forget the first time I knew I had caught a cheater. It was in my first year teaching, and I remember that I really, really wanted to make sure that my kids turned in original work–I was very sensitive to plagiarism, since I had been accused of it once (long story; I will tell it another time). I worked very hard to come up with non-generic essay prompts and research projects (an absolute essential, by the way) so that students would at the very least have a more difficult time plagiarizing!  Lo and behold, I knew I hit the mother-lode when a student handed in his paper…complete with hyperlinks.  Yes, hyperlinks…those words that are underlined to take you directly to another webpage!  How dumb did he think I was?!!  This was a senior, who certainly should have known better, and I immediately confronted him.  He tried to deny it at first, but all I could blurt out was, “If you were going to cheat, you could have at least removed the hyperlinks!”  The class was in shock.  They couldn’t believe it either…we all giggled in embarrassment for both the student and the audacity of the act.

As the new school year starts, a new set of students will enter your classroom, many of whom have (sadly) gotten by in school without very much original work or creativity.  I remember each year an eager group of freshmen who had no idea that cutting and pasting others’ work was plagiarism! Every year, the same thing…no idea.  Obviously, it was going to be up to me to teach them how to create their own work, and help them learn what plagiarism was. Otherwise, I new I would have to face those freshman as seniors one day–and I would be mortified to learn that one of my students had committed such an act.

To get you started, be sure to have a clear plagiarism policy in place.  If your school or department doesn’t have theirs in writing, suggest they put it in writing so there is no question.  Post it on your wall–tattoo it on their foreheads…make them memorize it…breathe it!  I have a FREE Plagiarism Policy on my TPT site.  Feel free to download (don’t forget to rate it!) and alter it to fit your needs.  I suggest handing this out the first day or so of school (possibly with your syllabus), and making kids (and their parents) sign and return by the end of the first week.  A clear policy with consequences is a must.

The Purdue OWL site also has a helpful article on developing a course policy.

After all of your students have returned their signed slips, you may want to have them do some research on the question  ”What does plagiarism look like?” I have designed a Plagiarism Webquest ($2.99) that you can find on TPT, or you can have students peruse on their own.  Here are some great resources:

Plagiarism.org  Students can use this site to educate themselves about Plagiarism and how to avoid it.  In addition, they can go to http://www.writecheck.com/static/home.html to submit their papers to check for problems!

Indiana University  Type “plagiarism” in the search box to be taken to a host of resources, including tutorials.

Google.com  Merely type in the sentence or phrase in question in quotation marks to bring up matching results.

Virtual Salt  Look for Anti-Plagiarism Strategies for Research Papers under Articles for Educators and Trainers.  This has great info for teachers as well, so look through.

Purdue OWL  Resources and articles on avoiding plagiarism.  Students can also take a self-test on passages.

Plagiarism: How to Avoid It  A research guide for students, teaching them how to cite sources.

PlagiarismChecker  A free tool.  Type in the suspicious passage and hit search!

Plagiarism Tutorial  This interactive site helps students learn the basics, and even has a Quiz students can take to test their skills.

Plagiarized.org Another free plagiarism detection tool.

In addition, I wholeheartedly believe you should also familiarize yourself with those so-called free essay sites (there are hundreds of them!), so here are some that I found…poke around…become familiar with the way they work.  Warning–the availability of these essays just might turn your stomach!

http://www.bignerds.com/

http://www.writework.com/

http://www.wowessays.com/

http://pinkmonkey.com/

http://echeat.com/

http://www.oppapers.com/

http://www.free-termpapers.com/

http://www.termpapers-termpapers.com/

http://www.free-essays-free-essays.com/

http://www.term-papers.us/

http://essaymania.com/

http://123helpme.com/

http://www.freeessays.tv/

Best of luck on the new school year.  I would love to hear your own stories of plagiarism and/or how you approach it in your classroom.

 

Tips for Writing Great Quizzes and Tests

Good assessments will help you correctly and effectively assess your students’ knowledge and comprehension of a text so that you can more successfully schedule and utilize the precious time you have with your students.

First, decide the goal of the assessment.  Do you want to quickly check that your students have actually read the chapter they were assigned to read last night?  Do you want to test your students on a deeper level—getting into the analysis of the text?  Or, do you want to spark your students’ interest in further reading by asking “teaser” or rhetorical “theme-based,” open-ended questions?  In other words, what do you want to know about your students’ grasp of the subject – and what do you plan on doing with the information you gather from the assessment?  It is a waste of everyone’s time to test students on random questions just to give them a test; furthermore, it is a waste of time to write a test that has no meaning, then fail to grade the tests and use them to your benefit.  Unless your goal is to surprise your students with a random pop quiz to keep them on their toes, it is crucial that you take the time to make a meaningful assessment that teaches both you and the students something of value.

Deciding on the goal of the assessment will help you to know not only how many questions to give your students, but also the format of the assessment, how long it will take you to grade the assessment, and how to use the findings to inform further teaching.  For this article, I have decided to focus on three types of assessments.  I have also created a list five of the most valuable and helpful general tips I found in my research and included it at the end of the article.  Finally, I have included a few very helpful links and recommended books on the subject in case you would like to read more in-depth about test creation.

Three Types of Assessments

Multiple Choice

In my research, I was surprised to find that good multiple choice questions can be just as revealing and successful as essay or short-response questions. In fact, well-written multiple choice questions can be written to measure reasoning, comprehension, application, analysis, and other higher-level thinking processes. This was great news!  I already knew that multiple choice type questions were not only more manageable for students of all learning levels than written-response question, but they are also easier and less time-consuming to grade than essay or short-response questions!  However, they must follow some simple, but important rules to be effective and useful:

The question or statement (also called the stem) should:

  • be clear, concise, and unambiguous
  • always include a verb.  Ex.  “The author used foreshadowing in this chapter to reveal…” or Ex. “What is the purpose of the use of foreshadowing in this chapter?” Avoid the phrasing “The author…” or “Foreshadowing…”, for example.
  • be based on the content, not on random information—you will get nothing for further teaching out of asking questions such as “What color shirt was Jim wearing in Chapter Two?” and you will just end up losing credibility and frustrating your students.
  • move beyond mere recall of information, by avoiding the exact wording of a text.  This includes vocabulary definitions.  It takes more work to write these questions, but in doing so, you will be helping students to move beyond recall to higher-level thinking and problem solving.

Answer choices (also called distractors) should:

  • be clear to the student.  Be sure there is only one correct response.  Don’t try to trick students—again, this just results in frustration.  A good practice is to put yourself in the students’ shoes to think of common or possible errors that students might make, then offer those as choices.
  • be in the same grammatical format. Be careful not to give away an answer because of “a/an” wording or pluralization!
  • be approximately the same length or number of words.  A red flag is raised in our minds when only once choice is a one-word response, or conversely, a longer response than all the others.
  • not repeat the same words in all the choices.  Rephrase the stem if you find your distractors repeating a word or phrase throughout.
  • be short, sweet, and to the point.  No one wants to have to read a question or answer choices over and over because they are too wordy or full of jargon.
  • avoid the use of “all of the above” or “none of the above.”  By using “all of the above” as a choice, the student only needs to know one or two correct choices, increasing the possibility of a correct random guess.  While the “none of the above” choice is better and can increase difficulty, unless it is used more than once or twice, it can be a dead giveaway.
  • use capital letters for answer choices. This will help students with reading and/or writing difficulties and will help reduce confusion in correcting. (This is also true for Matching tests.)

 

Matching

Matching questions—where students are given a word or phrase in one column and are asked to match them with the correct description, definition, etc. in a second column are another testing favorite.

There are also a few general guidelines that will help make matching assessments more effective:

  • It is better to have more possibilities than items.  In other words, don’t try to trick students, but having more seemingly plausible answer possibilities will help eliminate students just guessing the last few answers based on process of elimination.
  • Items and choices should all be on the same page—students should not have to flip pages.
  • Make both the items and the answer choices must be clear, short, and to the point.  The more they have to read, the more confusing and time-consuming the test becomes.
  • Be sure to mention that choices will be used only once, more than once, or not at all.
  • Give students letter choices rather than having students draw a line to the correct response from column to column.  Correcting is just far too difficult, especially when the student decides to get creative with their lines, or makes a mistake and tries to change it!

True/False

True/False statements are another favorite in classrooms.  Also called a “forced-choice” type of question, students must make a decision whether the statement given is true or false, giving them a 50/50 chance at a correct answer.  These types of questions are ideal for recall or basic comprehension.

  • Avoid using negatively worded statements.  Statements should not use the word “not” at any time.  This is a form of trickery!
  • Avoid directly restating the text.
  • Try to make all statements, whether true or false, the same length.  There is a tendency to write long true questions because of the available material.
  • Avoid long, wordy statements or complex sentences.  This can easily cause confusion for a student, especially when students think one part of the statement is true and another is false.
  • Avoid stating opinions unless they are attributed to someone.
  • Avoid using all, always, never, none, etc. as these can be dead giveaways because of the sweeping generalization.
  • Having students correct false statements can be tricky.  Be sure to underline the part of the statement that needs to be rewritten or corrected so there is little confusion.

5 Tips for Writing Quizzes and Tests

In general, there are some guidelines that can help you no matter what type of quiz or test you write.

Assessments should be clear, precise, and answerable.  Students should not have to be an expert on the subject on which they are being tested, but should be able to answer the questions that you have given them based upon the information that they have been taught.  Remember, if you have quite a few students failing the test, the problem may not be with the students—it may be with the test, or even further, with the delivery of the information.  Here are some tips to help make your assessments the best they can be:

  • Decide on format.  There is something to be said for consistency, as the type of quiz becomes familiar to the student and the student knows what to do with it.  Or, make each test multiple choice, like state assessments, so they can get used to the format.
  • After you have taught a particular lesson or given a particular lecture, review your notes or make a list of the ideas you believe students should have learned. Base your questions for the quiz or test on these notes.
  • Be sure you read over the test in its entirety so that you are not giving away answers in other questions.
  • Use Bloom’s Taxonomy of Questioning.  To be sure your assessments do not merely measure recall, but higher-level questioning as well, make a chart or checklist to keep track.
  • Once you have written a test, be sure to leave it alone for a few days, then try taking the test yourself\. This is especially true year after year.  Be sure that you actually taught the information on which your students are being tested.  You may have accidentally left out an entire section in this year’s lecture without even realizing it.  (I have done this, only to sadly realize that my tests were a waste of time.)

Once you have given the assessment, it is always helpful for students to receive the answers in one format or another.  I always liked going through the answers using the overhead project (yes, low-tech, I know…but it works!).  This way, the questions are fresh in their minds, and they can think about their own answers in comparison (always a popular choice with high-level or Honors students who are impatient about their scores!)  This also helps open the discussion for incorrect choices.  Create an environment where students feel comfortable sharing their answers—correct or not.  This gives you the opportunity for a “teachable moment,” maximizing your class discussion time, and scaffolding upon their learning, and segueing into the next lesson.

 

Helpful Websites and Books

Indiana University, Bloomington Evaluation Services & Testing

The Center for Assessment and Research Studies

Alabama Department of Education Professional Development Modules

University of Texas, Austin Instructional Assessment Resources

Classroom Assessment – What Teachers Need to Know (Fifth Edition) by W. James Popham, ISBN 978-0205510757

 


Products for $5 or Less

Did you know that in addition to our Literature and Writing Guides, we also sell “pieces” of our Guides called PocketSolutions?  For those of you on a tight budget (aren’t we all?) you can get a ton of great products for LESS than $5.  Here is just a short list of some great products from our store at www.4secondarysolutions.com that are $5 or less!

And quite literally, HUNDREDS more!  To see our full listing of PocketSolutions products by title, CLICK HERE!  Enjoy!


Using That versus Which

As you all may know, I do a lot of reading, writing, and some minor editing, so I decided to touch upon one of the issues I often come across in my work.  This month, I am getting technical as I explore the guidelines of that versus which in writing.

Before I move on to some of these guidelines, I must pause to note that the correct usage of that versus which is commonly debated and challenged.  Reading through Mary Shelley’s Frankenstein, for example, you will find that almost all the points that I have outlined below have been disregarded.  It is important to note that the rules in British English are not the same as in American English, and that even in American English, scholars argue whether that and which are interchangeable in restrictive clauses.

Additionally, others might argue that the use of that and which unnecessarily confuses readers, and that sentences should be revised for clarity.  For example, rather than saying “The dinner that I ate on Friday night was delicious,” revise it to “Friday’s dinner was delicious.”

That being said, I have tried to take the guesswork out of the use of that and which, in case you are like me and happen to personally use a little that and which every once in a while.

Read the sentences below.

(A) My homework, which has sat on my desk all weekend, is due Monday.

(B) My homework that is due Monday is sitting on my desk.

Which one is correct?  Answer: both.

In a nutshell, here is the rule:  Use that before a restrictive clause and which for everything else. 

Now, in order to know when to use that, you must know what a restrictive clause is.  A restrictive clause is a part of a sentence that restricts a reference or meaning.  In other words, it must be in the sentence in order for the meaning of the sentence to be clearly understood.

Here is an example:

(A) Drinks that have a lot of sugar are bad for your teeth.

(B) The intake of too much sugar, which is often found in soft drinks, is the most common reason for tooth decay.

So, what is the difference between these two sentences?  First, Sentence A uses the word that; Sentence B uses the word which.  Second, Sentence A does not have any commas; Sentence B has two.  The reason for these differences is the restrictive clause.

Revisiting Sentence A: Drinks that have a lot of sugar are bad for your teeth.

This sentence has a restrictive clause.  What kinds of drinks are bad for your teeth?  Drinks that have a lot of sugar.  It is important that the reader knows that you are talking about drinks that have a lot of sugar in order for the meaning of the sentence to be clear.

We can test this by removing the clause that have a lot of sugar.  We are left with Drinks are bad for your teeth. Is the writer saying that all drinks are bad for your teeth? No. The writer is saying that drinks with a lot of sugar are bad for your teeth.  Therefore, the message of the sentence is “restricted” only to drinks that have a lot of sugar, non-inclusive of any other kinds of drinks.

Revisiting Sentence B: The intake of too much sugar, which is often found in soft drinks, is the most common reason for tooth decay.

This sentence does not have a restrictive clause.  To test this, take out the words within the commas and you have The intake of too much sugar is the most common reason for tooth decay.  Makes sense, right?  The additional information which is often found in soft drinks is not needed in order for us to understand the meaning and intention of the sentence.

Additionally, you will note that non-restrictive clauses are usually surrounded by (see the example above) or introduced by a comma, i.e. Sugary drinks are bad for your teeth, which makes your dentist happy.

So what about using that and which in your writing?  How do you know when to use each?

You must decide what information is necessary in your sentence. Which is correct?

(A) The printer that I had been saving up for finally went on sale. 

(B) The printer which I had been saving up for finally went on sale.

Which printer?  Not just ANY printer…but the one you had been saving up for!  So is there important information that you need to have in order to make the meaning of the sentence clear? Yes…we have the restrictive clause that I had been saving up for.  The correct answer is A.

Let’s look at another example:

(A) The glass of water, which has been sitting on my desk, is starting to sweat.

(B) The glass of water that I have on my desk is starting to sweat.

This one is clearly more tricky.  In this case, you will need to ask yourself what the intention of your sentence is.  For Sentence A, the point of the sentence is that the glass of water (which, incidentally, has been sitting on my desk) is starting to sweat. For Sentence B, the point of the sentence is that, specifically, the glass of water that is located on my desk is starting to sweat.  Of course, don’t forget that you can always rewrite your sentence, (something that I often do) to: The glass of water on my desk is starting to sweat.

It is also important to mention that it is crucial that you know we are referring to the use of that in a restrictive clause.  If you take a look at the previous sentence, the phrases that it is crucial and that you know are subordinating (or dependent) clauses—subordinating clauses are a whole other ball game.  In this case, the redundancy of the word that is the reason we should revise the sentence to something like: It is important to remember we are referring to the use of that in a restrictive clause.

Have any tips or tricks for teaching or remembering the use of that versus which?  Please comment!

Common Core Standards – Are you ready?

With more and more states adopting the Common Core State Standards (43 states plus 3 territories so far), you are more than likely going to be faced with the execution and integration of these standards in your own curriculum in the very near future.  Several states have slated the 2012-2013 school year for implementation (this fall!), with others not far behind.  So what does that mean for you?

If you are unfamiliar with the Common Core State Standards, now is the time to familiarize yourself.  Most of us were (and still are) opposed to, or at the very least hesitant about, the dictation of what we will teach in our own classrooms—but this adoption does not have to be traumatic or painful.  I believe that if you are teaching your students to appreciate and understand a wide variety literature and to write well and express their own voices using the accepted conventions of the English language, you will have absolutely no problem easing into the “rigidity” of the Common Core Standards.

First, familiarize yourself with the key points of the standards: Here are the Key Points in English Language Arts from the Common Core Standards Initiative website (www.corestandards.org).  Basically, the Standards outline essential skills students should master at each grade level division (K-5, 6-8, 9-12).  The goal is to have each student ready for college or career by the end of high school.

The Common Core State Standards for English Language Arts are divided into grades K-5 and 6-12.  This article will focus on the 6-12 Standards.

To begin, the College and Career Readiness (CCR) Anchor Standards are broad standards that provide a general umbrella under which more specific goals are indicated for each grade or grade level. These CCR Anchor Standards give a broad framework of goals that—together with grade-specific standards—outline the skills that each student must demonstrate.  From there, each grade level is given specific standards over which students are required to demonstrate mastery.  These are more specific and are divided into five strands: Reading: Literature, Reading: Informational Text, Writing, Speaking and Listening, and Language.

These strands are divided into standards: specific skills students must demonstrate by the end of the school year in order to stay on course for college and career readiness.  For example, under the English Language Arts grades 6-12 College and Career Readiness (CCR) Anchor Standards for Reading, there is a section entitled “Craft and Structure,” which gives four goals of mastery.  The CCR Anchor Standard for Reading, Craft and Structure, Standard #4 states that all students must Interpret words and phrases as they are used in a text, including determining technical, connotative, and figurative meanings, and analyze how specific word choices shape meaning or tone.

Specific goals for demonstration of this anchor standard are then delineated by grade level.  For example, the Grade 8 strand Reading: LiteratureCraft and Structure, Standard 4 (RL 8.4) states: Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including analogies or allusions to other texts.

As you can see, this specific standard is based upon the parent CCR standard (Craft and Structure, Standard 4) in which students determine technical, connotative, and figurative meanings, and analyze how specific word choices shape meaning or tone.

So what does that mean for you and your teaching?  Now that you have been introduced to the structure of the standards and how they work, it is then up to you (or whoever dictates your curriculum) to do the creative and technical work to actually teach the standards that have been outlined for you.  Here is where the creation and implementation part comes in.  So, let’s hunker-down to find (or create) an activity that focuses on one particular standard.

Again, Standard RL 8.4 states: Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including analogies or allusions to other texts.

Examining this standard closely, you will note that it states that by the end of grade 8, students must know

1)  how to demonstrate understanding and knowledge of the meaning of words and phrases as they are used in a text, including

(a) figurative and

(b) connotative meanings

2)  how to analyze specific words choices on

(a) meaning and tone, including

(b) analogies or

(c) allusions to other texts

Clearly, there are two specific sections of this standard, which have even been subdivided further.  It will be highly unlikely that you will find one well-written activity that teaches ALL segments of this standard—there is a lot to be covered here. To do the standard justice, and to be sure that each of these skills is truly addressed, it will be crucial to take the standard apart and address each “piece” separately.

So, for the purposes of this exercise in creating our own standards-based materials, we have decided to focus on the first part of Standard RL 8.4 (demonstrate understanding and knowledge of the meaning of words and phrases as they are used in a text, including figurative and connotative meaning.) This is not to say that we will ignore the rest of the standard.  On the contrary, by dividing the standard into tangible “chunks” we are truly focusing on the nuances and particulars of each standard.  From here, we can further subdivide into one achievable task.  Our standards-based activity will focus on teaching students how to demonstrate understanding and knowledge of the meaning of words and phrases as they are used in a text, including figurative meanings (see 1.a above).

When creating materials (or searching for publisher-created ones) that address this particular standard, the material should at the very least mention figurative language (simile, metaphor, personification, etc.).  For example, in our Maniac Magee Literature Guide designed for grades 6-8, you will find an activity entitled Standards Focus: Figurative Language.  In this activity, students are taught about similes, metaphors and hyperboles, and are then given a passage from the text where they are asked to (a) identify the figure of speech used in the passage, and then (b) explain how the figure of speech is used to create an image in the reader’s mind.

As students complete this activity, you know that students at the very least have been exposed to figurative language and how figurative language works.  Of course, mastery of the skill takes time and repetition.  It is crucial that in order for students to be ready for testing on this skill of demonstrating understanding and knowledge of figurative language, you continue to expose students to further figurative language activities.  This can be done by continually exposing students to figurative language, asking them to identify, create, explain, and interpret words and phrases that demonstrate figurative language.

To do this, choose passages from a text, including poetry, asking students to do the same activity as the one from our Maniac Magee Literature Guide.  Or, have students choose passages or phrases on their own, identifying the part of speech used, then explaining or drawing a picture of the meaning and/or image created.  You have now (partially) addressed Standard RL 8.4. When asked by school administrators to post or indicate the standard for what you are teaching, you can confidently say that you are working on that particular standard.

Obviously, there is much more to the standard, and this is where more work must be done.  In order to fully address Standard RL 8.4, you must also tackle connotation/denotation, tone, and analogies and/or allusions to other texts.  However, since you have been diligent about continually exposing students to figurative language, again using our example, you will then be able to teach students the more complex nuances of word choice and use of figurative language on the overall tone of a passage.

A note of caution!  When purchasing professionally-written materials, although you may begin your search with the title of the activity, it is important that you look through the activity to see exactly how the standard is being addressed. An activity of four or five questions asking a student to identify whether a passage contains a simile or metaphor is absolutely not enough to address the standard correctly.  It is appropriate to begin there at first exposure, however, students need to move on pretty quickly to the analysis of figurative language.  It is crucial that students are asked to not only identify, but also to analyze and interpret the reasons why an author uses such figurative language, or how the figurative language contributes to the passage, or how the figurative language expresses the author’s style, or why figurative language is important to the image created in a reader’s mind, etc.  Lessons should be given in tangible, attainable chunks, but also build upon each other to ultimately teach students the skills and abilities they will ultimately need for college or career.

 

Thirty Poetry Project Ideas for National Poetry Month!

To celebrate National Poetry Month (April), I thought I would make this month’s blog all about poetry by sharing some fun poetry ideas to get those creative juices flowing!

Years ago, while sifting through paperwork I happened upon my old “Poem Report,” dated May 24, 1989!  While the memories of working so hard to perfect my original poetry (not to mention my handwriting, since I didn’t own a computer then) came flooding back, I was able to flip through the pages with different eyes at that time—the eyes of a new teacher.  I was blessed to have so many great teachers, and although I never could remember which teacher assigned the Poem Report, I was finally able to honor her by assigning my students their own project to explore great poetry and discover their own inner poet.

Some ideas for a Poetry Project:

1)    Have students create a bio-poem.  As you can see from this site, bio-poems also work from others’ perspectives (like a character in a book) as well.

2)    Have students create “I Am” poems.  Really great activity for the beginning of the year or semester when you have new students.

3)    Have students create an “I Do Not Understand” poem. Some great examples.

4)    Also, the same blog has some excellent Found poems (anyone teach Touching Spirit Bear?)  The same can be done for any piece of literature.

5)    Have students create an “All-Lies” poem.  This is important because in order to write lies, you must know the truth.  These can be as many lines as you decide, and are generally non-rhyming.  To help students with this, you may have them write one poem all about themselves, then switch it up on them and tell them that the real assignment is to create all lies—or non-truths—about themselves.  For example, “I do not care about my friends, my room, or my iPod.  In fact, I wish I could throw away all electronic devices forever.”

6)    Have students free-write listening to music.  Or have them rewrite the lyrics of their favorite song, changing the story, or ending, or choosing better words by using a thesaurus to see what they come up with.

7)    Have students write poems in pairs—one person writes a line, then back and forth.

8)    Have students create a group poem…passing the poem around and having each one create a new line as it moves around (like the old game of telephone).  To be sure students don’t sit long without anything to do, have them work on several poems at once.  One of the rules, however, is that each line must be new and original and cannot be repeated within the same poem or in another poem!

9)    Give students a list of 6-10 random words and have them create a poem based upon your guidelines.

10) Have each student bring a photo to school.  This can be a personal photo, or a picture from a magazine or newspaper.  Have students create a 15-line poem telling the story of the photo, or from the perspective of the person in the photo.  If the photo is of a place or thing, have students write a poem from the perspective of that place or thing.

11) Have students turn a short story, tall-tale, children’s story, etc. into a poem.

12) Have students choose an article from the newspaper and create a poem based upon the information.

13) Have students create a poem in which every line of the poem must begin with a certain letter of the alphabet, i.e. all lines begin with the letter “s.”

14) Have students create their own epitaph in limerick form (I always used this one at Halloween—the kids loved it!)

There once was a teacher, Mrs. Bowers

Who lies here pushing up flowers

Her students drove her to death

Until her last breath

And now she’s out haunting for hours

15) Have students write a eulogy in poetry form for something they value, i.e. iPod, cell phone, their room, their car, their privacy.

16) Have students create a poem from headlines in newspapers, magazines, etc.  Be sure to indicate number of lines and whether it should rhyme or not.

17) Have students create a Sestina (six-stanzas, unrhymed). Challenging and fun!

18) Have students create their own sonnets.  Be sure to give the rules!

19) Have students write either a Tanka or a Haiku.

20) Have students create an Up and Down Poem.

21) Have students create a Five Senses Poem.  First, describe an emotion by assigning it a color (sight), then tell how it smells, tastes, sounds, and feels.

22) Have students create a synonym poem.  See Colin McNaughton’s “I’m Talking Big!” which begins “I’m talking big!  I’m talking huge! I’m talking enormous, immense, tremendous!”

23) Have students create a 5-6 line tongue-twister (this can be a good exercise in alliteration as well)

24) Have students create Cinquains.  Short and sweet!

25) Have students create a Pantoum, a Malayan poem invented in the 15th Century.

26) Have students create acrostics.  I am sure they have done this for their own name at one point in their lives, so have them create an acrostic using a more challenging word, such as their favorite sport, subject in school, or—even better—a character from literature!

27) Have students create an “ode” to one of their favorite things.  This can be a tangible object, like their cell phone, or something intangible, like exhaustion or frustration.

28) Create poetry across the curriculum!  Have students create a poem about a figure or event they are studying in history or social studies, or have students create a poem using at least 10 math words or concepts.  For science, have students write a poem based on the biology of a frog or other concept they have been studying.

29) Have students research a poet and write a biography—or better yet, a poem—about the poet!

30) Have students choose a famous poem, then create a copy of the poem.  They can create a copy by imitating the style, rhythm, and rhyme of the poem.

Although in the “old days” I put my report together in a couple pieces of construction paper and a few brads, times have obviously changed.  Have students compile their poetry projects in an original blog.  Blog hosting is free and gives a perfect opportunity for students to share their work.  Or, at the very least, have one of your more tech-savvy students create a blog for sharing each class’s work.  Students can also create work on their technological skills by compiling their work in a PowerPoint presentation or on CD.

Be sure to outline the guidelines and expectations for their poems. At the very least, let them know when they can or cannot rhyme, and how many lines minimum (or maximum) the poem should have.

Other ideas:

National Poem In Your Pocket Day is April 14.  Celebrate the written word by sharing your favorite poem with friends and colleages! See Poets.org for more info.

Start a Poetry Slam at your school.  Info available at Poetry Slam, Inc. at http://www.poetryslam.com/ or http://nps2011.com/

Other fun stuff is available at Scholastic.com including an interactive poetry machine, poetry writing workshops, tips for reading and analyzing poetry, poetry unit plans, and more!

Links consulted/referenced:

Nine tips for taking notes in a book (without ticking off your librarian!)

When I took my first English class right out of high school, I was shocked that not only did we have to purchase our own books, but we were even allowed to write in them!  I had always been told not to write in my schoolbooks—and all I ever saw written were things like “School SUX” or obscene drawings.  I was never taught to take notes in a book, but over time I learned that by writing notes in the margin, being able to highlight or underline a key point, and using my textbook as a practical, tangible tool was invaluable.

When I went into teaching, I was reminded that the same “hands-off” rule applied to my students.  Because of budgetary reasons, the school was only able to afford enough books for about 120 students at a time (the fact I never had enough books for my classes is a whole other story, but I digress…). Students were never allowed to write in their books.  Thus, I was always searching for creative methods to help my students to use their books as a living, breathing, interactive tool, rather than an untouchable, inaccessible tome filled with random obscenities. I felt (and still feel) that the more students are able to make their books—especially novels—an active tool for learning, the better they will learn.  The more involved they are allowed to be with the story the better, and being able to be an active learner and note-taker in that process helps them be an active participant in the workings of the story.

This month, I have decided to share some of the tools I have used over the years to help my students use their books as active learning tools, while keeping the librarian happy by not making permanent marks in the books.  (If you have other tips and tricks for teachers who are not allowed to have students write in books or cannot require students to purchase their own books, please feel free to comment on this blog or share them with our followers at www.facebook.com/secondarysolutions!)

1.    Sticky-notes.  These are not always cheap, but usually dollar stores have good deals on sticky-notes, or you can get bulk packs for a good deal during back-to-school sales. Encourage students to write their thoughts, questions, and ideas on sticky-notes, and to stick away!  The more notes, the better.  Be sure that students know what kinds of things to write on their sticky notes.  Don’t just have students summarize the chapter or section, although this might be one sticky note.  You may want to model a book that you have already marked with notes to show how it is done.  Teach students to question the text, then once they find their answer, to go back to their sticky and write the answer.  They can either remove the sticky, or they can keep it there in the book.  Once students have completed the novel (or section of a text), have them remove their sticky notes, stick them onto blank sheets of paper and use the notes as a review/study guide.  If they have not found the answers to questions they posed, have them go back to the text to find the answer.  Encourage them to bring any outstanding questions or concerns to a class discussion.

2.    Flags.  Flags are a modification of sticky notes, but can be used to highlight major points or things to remember rather than writing them down.  Flags are the skinny sticky notes that are either shaped like an arrow or are rectangular.  They are small enough to write one or two words, but they are more useful for just quickly pointing out things to remember for future reference.  From there, once the book is finished, students can look back on their book to their flags to help them arrange written notes.  Sometimes students will find that what they flagged seemed important but wasn’t, or that they didn’t flag something that turned out to be important.  This helps students in the long-term to be able to help them become more active readers and find the more important aspects of the text.

3.    Paperclips.  These days, paperclips come in all sizes, and a variety of different colors and shapes, so students can have fun with this one.  If using multi-colored clips, have students decide which colors correspond to which color paper clip.  For example, a pink clip can represent a note about character.  Have students clip a sticky-note key to the front of their book for reference.  When they find something interesting or note-worthy about a character that they would like to remember, have them clip the pink paperclip on the start of the line or passage in the book. They can use different colors to represent other notes, such as blue for important quotes, red for important plot twists or conflicts, etc. 

4.    Original Bookmarks.  Have students cut a plain piece of horizontally aligned paper into 5 sections, like a bookmark.  At the top of each, have students write Characters, Conflict, Plot, Quotes, and Questions (or whatever you would like them to take notes on).  Students can decorate their bookmark, but it must have room on both sides for notes.  As they read, they use the specified bookmark to take notes.  If they find an interesting quote, for example, they would write on their “Quotes” bookmark the page number and the first few words of the quote so that they can come back and find it later.  They can leave the bookmark on that page as they continue to read.  When they find another notable quote, they move the bookmark to the new page and repeat the process, noting page number and first few words of the quote.  Once students have used the bookmarks, they can start a new one and staple them together.  When they have finished reading the text, they have a built-in study guide.  Students should then go back (keeping with the example) and re-read the quote, taking notes in a notebook of who said it and why the quote is important to the story.  An especially fun bookmark to make is Prediction, as students move their bookmark chapter by chapter, they can see what they predicted and whether they were right, again helping students retain the reading and remain active readers.

5.    Note cards. Have students write details of each chapter on a note card designated for each chapter.  For each chapter, have students write: Major Characters, Important Events, Important Quotes, Questions on the Chapter, and Predictions.  Students should complete all sections, helping create great study cards for review after reading the novel.  Be sure to remind students to write down page numbers for later review.

6.    Bubble diagrams or webbing.  Have students start with 5 blank pages of paper.  In the middle of each one, have them draw a circle.  Have them write the one of the words characters, plot, quotes, questions, problems in each of the five circles. Have them then draw “legs” off the center circle.  Encourage students to add bubbles to their main circle as they learn things about each of the five main circles.  Allow them to write what they learn, as they learn it about each of the five topics.  For students who can’t handle 5 pages, limit to two or three topics, or have classes work in small groups to complete their work and compare notes each week or so.

7.    Give students an outline.  This is something most of our Literature Guides offer.  Our “Note-taking and Summarizing” activities ask students to outline chapters or sections, looking for specifics about the novel, such as major characters, plot events, setting, important quotes, personal responses/thoughts, questions about the chapter, and predictions about what will come.  Often, having a familiar outline will help students learn the most important aspects they should be looking for in a novel.  Once they can find the basics (i.e. characters, conflicts, etc.) naturally, they will be able to move on to more complex aspects of text analysis, such as symbolism, irony, and such. Be sure to model at least the first chapter, working together as a class to actively use the text and the note-taking sheet to find important notes.

8.  Create a Facebook page for the novel your class is reading.  Title it something like “Mrs. Smith’s classes for the study of Romeo and Juliet.”  Have students post notes, interact with each other in discussions and share comments.  You will have to monitor this one, however, or it could become a breeding ground for sharing answers!  It is also important to check with your school/district for their rules for the use of Facebook in instruction.  Be sure that rules about conduct are clear.

9.  Dog-ear.  While your librarian may not be thrilled that students are actually touching the pages (!) the old-fashioned approach of dog-earring pages still works.  (Yes, I know, it does eventually damage the book if done enough times, so this one I put last!) Have students gently fold the corner of a page they find interesting, for whatever reason at the time they are reading.  Once they have finished the chapter or section, have students go back and write down reasons they dog-eared the page.  It could be an interesting quote, something that doesn’t make sense the first time they read it, or something they want to remember.  From there, students can either use note-cards or a simple notepad or piece of paper to write down page numbers and reason for the dog ear.  This is still making students a) actively read the text and b) go back at least a second time to re-read for the reason for the dog-ear, which will help them make connections with the text.

Of course, be sure to have students remove stickies, tags, notecards, and fix dog-ears before returning the books to the library, or you will surely then tick off the librarian! 

Good luck!


“Throw Up on the Page” – Overcoming Writer’s Block

The time had come.  I had finally created a blog.  I had been wanting to for months—years, really.  I realize I am not the most creative writer; my strengths are in creating (generally dry, structured) curriculum, not poetry…and I certainly don’t consider myself witty.  I finally told myself that this was okay and that I would just write.  No matter how dry, for now.  I have had so many ideas floating in my head about what I would like to say—so many tips, ideas, and stories I wanted to share.  And this was the time: time to post my first words of wisdom….and….nothing.  I had nothing.  Nada.  I had spent days trying to think about the meaningfulness of my first real post.  I wanted to make it right—just the right combination of wit and wisdom.  Something that everyone would want to read and share with all their friends and colleagues.  But nothing was coming…not even something less than brilliant.  So that was it.  I had Writer’s Block.  My blogging brilliance was over and I would have to apologize to the world that I had nothing to offer at this very moment—and maybe never again. And then it occurred to me.  That was it.  Writer’s Block…that’s what I would write about.

Was there really such a thing? Or is it an excuse that we have created to get out of doing something we don’t want to do?  I can remember hearing countless times from students who had not done the essay I had assigned, claiming to have the affliction.  I know I wasn’t the first—nor would I be the last to “suffer” from this debilitating “disease,” right?  Surely everyone who has had to sit down and write something has felt this at one point?  So, I decided to make it my mission to find out.  What is Writer’s Block, does it really exist, and how do we get past it?

Note: Before I get into writing my blog on a regular basis, it is crucial that I mention that besides my job as President of Secondary Solutions, I also pay my bills by writing the aforementioned curriculum.  And, although I make a living as a writer, I rely very heavily on my editor: a luxury I don’t have with this blog.  So please forgive my mistakes, misspellings, bad grammar, incorrect words, or misplaced modifiers and obvious problems with tense I see as I scan back on what I have written so far.  I am writing from the heart.

I decided to start my search online, looking for the technical definition of “writer’s block.”  According to Merriam-Webster’s Online Dictionary at http://www.merriam-webster.com the term “writer’s block” is a psychological inhibition preventing a writer from proceeding with a piece.  So it was psychological—not physiological.  In other words, I was still capable of physically writing down words and phrases and maybe even sentences, but it was my mental process—my behavior—that was keeping me locked up.   As I continued my search, I came across a great blog entry by 43folders.com (aka Merlin Mann) that completely changed my perspective.  The blog is entitled “Hack your way out of writer’s block.”  After I read the article and considered the difference between psychology and physiology I suddenly remembered how I used to tell my students who were stuck and felt they couldn’t write to just “throw up on the page.”  I know it sounds vulgar, but I just wanted them to write—anything.  I reminded them that it was not important to use “big” words, and that no matter how good of a writer they were, they were going to have to go back and edit at least once or twice—if not more.  So, I told them to stop being their worst critic and to just allow themselves to be brilliant or to fail miserably.  Either way, they had words on the page and could go somewhere with that.  They were physically capable of writing, it was just their mental processes (usually an inner critic) that hindered them.  And that’s exactly where I was.

I had to stop being my worst critic (one of my daily struggles), and had to force myself to allow the words to escape my brain and flow to my fingertips.  I had to stop censoring my words and had to allow myself to just write.  I had to get out of my own way and allow myself to be brilliant or fail miserably.  And here I am.  Done.  It may not be the most captivating articles for my first real blog, but it was a meaningful one, and one that I am sure I will refer to often in this endeavor.

 

Do you or your students need help with writer’s block?  Here are some online resources I came across that might be helpful.

Webook.com: http://www.webook.com/911writersblock (For fiction writers, this site even gives you specific plot and character points like “An art opening at a lavish downtown gallery. A car crashes through the plate glass window. The driver’s door opens, and an eight-year-old girl steps out.” to get you back on track!)

Writer’sworld.com:  Writer’s Block: Is It All in Your Head?  A nice article by Leslie What exploring the technical aspects of writer’s block, plus tips and hints.

Perdue Online Writing Lab: Symptoms and Cures for Writer’s Block

Io9.com: “Nasty case of writer’s block creates the most brilliant scientific paper ever.”  This was hilarious, and says it all.

 

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